It’s a testament to Maggie Rogers’ songwriting that I considered three of the four songs from her debut EP for this. ‘On + Off’ is the one I keep coming back to though. At her debut gig in London earlier this year, the crowd sang the chorus to this track prompting a flabbergasted Rogers to lose her momentum and train of thought. It was a cute moment but it was rooted in recognition of the song being a cracker that resonated more than she expected.
Stormzy – ‘Cold’
Grime 2017 belongs to Stormzy. ‘Cold’ is a standout on Gang Signs & Prayers and it’s the stabbing sinogrime beat and Stormzy’s energy that keeps this on repeat. It has grime’s first wave sound exemplified by Roll Deep in its DNA.
Aldous Harding – ‘Horizon’
The most intense song of 2017 so far? The New Zealand artist’s debut was heralded by this sustained note torch song and its live performances only heightened its inherent drama.
Overcoats – ‘Leave The Light On’
It’s an absolute pleasure to hear the progress of Hana Elion and JJ Mitchell’s music as Overcoats. Two years ago, the New Yorkers spent the summer in Ireland and made a dent on the scene with their minimal harmonic-lead songs. Now with an Autre Ne Veut-produced album due on Arts & Crafts out, the duo have bolstered that folk harmony synergy with some technicolour magic. ‘Leave A Light On’ is indicative of the urgency they have brought to their craft.
SZA -‘Drew Barrymore’
A surprise, long overdue release from SZA, who spent years shining through guest features and once-off releases, and comes up trumps with CTRL, an album of conflicted lust, intimacy, self-worth and self-esteem issues. ‘Drew Barrymore’ is an easy in to the album as a whole, with SZA confronted with her ex-partner’s new girl and sees her insecurities and flaws back at her – ‘I’m sorry I’m not more attractive / I’m sorry I’m not more ladylike / I’m sorry I don’t shave my legs at night.” The chorus is both empowering and insecure at the same time.
Dermot Kennedy – ‘Glory’
One of those songs which stops you in your tracks. Irishman Kennedy’s ‘Glory’ grows from a dark folk tone, from a hush to a howl as the track grows in stature and sound, subtly bringing in electronic-tinged touches and vocal effects as the song builds to the chorus and crescendo with production alchemy. A headturner.
The xx – ‘Dangerous’
A highlight from the xx’s third album, that also works well while DJing. ‘Dangerous’ is I See You‘s opening track and embraces the textured sampled approach that Jamie xx utilised on solo album In Colour. ‘Dangerous’ arrives with sampled horns, percussive beats and an immediacy that ushers the xx mk III.
Vince Staples – ‘Yeah Right’
‘Yeah Right’, from Staples second album Big Fish Theory encapsulates how different this album is and how much of a sonic weapon Staples has deployed throughout. Producer Sophie’s clattering fizzling metallic production is like a vehicular juggernaut with some distorted bass tones, Kilo Kish provides otherworldy vocals and Kendrick Lamar kills the whole thing in a verse.
Run The Jewels – ‘Call Ticketron’
The sickest beat on RTJ3. ‘Call Ticketron’ is a 21st century take on ‘It Takes Two,’ a thrill ride with El-P and Killer Mike.
Daphni – ‘Tin’
‘Tin’ is a euphoric reminder from Daphni’s upcoming Fabriclive mix of how good Dan Snaith aka Caribou is at creating warm and resonating dance music.
Dermot Kennedy is a young folk singer-songwriter who has been making some industry noise in the last year. Live, he has supported the likes of Glen Hansard and James Vincent McMorrow and Spotify streams of last year’s ‘After Rain’, a woodsy romantic folk pop number is now well over 19 million streams.
Thus far, his songs have remained in that Ben Howard-folk mould but ‘Glory’, a new song released today, is something else entirely.
Kennedy has been co-writing with Charlie Hugall (Swim Deep, Låpsley, Florence + the Machine) and working with Stephen Kozmeniuk (who worked on records from Kendrick Lamar, Dua Lipa and DVSN) and Carey Willetts (Kwabs) and there’s some production alchemy at play in ‘Glory’, from his upcoming Doves & Ravens EP (April 14th).
The song grows from a dark folk tone, from a hush to a howl as the track grows in stature and sound, subtly bringing in electronic-tinged touches and vocal effects as the song builds to the chorus and crescendo.
‘Glory’ will surely be a breakout song for Kennedy. Give it a spin and then give it another:
Last year, I featured a fundraising gig for Denise Ryan who has been suffering with “Lyme disease, pneumonia, Epstein-Barr virus, gastroparesis, chronic gastritis, candida, strep and clostridia infections, among other things” and is seeking funds to pay for urgent medical treatment in the US.
Ryan has raised €70,000 but needs €100,000 to get the treatment (her own video is below).
To help her get to that goal, Róisín O, Enemies, Ailbhe Reddy, Dermot Kennedy & Dublin Gospel Choir are playing a Denise Ryan fundraiser in the Button Factory next Thursday, June 30th.