2017 was my third visit to Barcelona’s Primavera Sound festival and my first since 2011. What has changed in that time is an increase of punters (around 35,000 each night) but also an expanded festival site at Parc del Forum. That meant more room for dance music and more room for the larger stages. And more, room for surprises.

2017’s lineup was also one of the best in a long time. Sure, Frank Ocean cancelled his headline set with two weeks to go but the addition of surprise sets announced on the day were a new thing which hopefully the organisers will commit to in 2018. It meant that for many the first surprise was Arcade Fire playing a gig on the festival’s first night, two days before they were due on stage. Haim played a late-night set on the last night and Mogwai debuted their new album in full under the Barcelona evening sun.

The city is a great setting for a festival getaway, hang out on the beach day or night at Barceloneta, eat and drink in the Gothic Quarter or Gracia, solicit late-night cans from the abundant hawking men on the streets, bump into friends late into the night while wandering. Primavera Sound’s late starting time (for most about 7pm or 8pm) and late end time (6am is not uncommon) means there’s always time to explore the city in good weather before the music starts.

That doesn’t mean that you don’t miss things though. Aldous Harding, Glass Animals, Joy Orbison, Weyes Blood and Badbadnotgood were not seen, and I decided to give Arcade Fire a miss in favour of seeing something else (and was rewarded by John Talabot’s disco set). Ditto: Sinkane, Skepta and Grace Jones. Sets from the xx, Angel Olsen and King Krule didn’t do it for me despite wanting them to but there was plenty to love. Primavera Sound pulls you in so many directions that sometimes you just have to not focus too much on the timetable and go with the flow. That’s easier to do in the Catalan city atmosphere than a soggy field in Ireland. I’d definitely come back for a fourth visit.

Here are my highlight sets of the festival.


1.

Mac Demarco

There’s no way that such subtle sweet jams should work on the second biggest stage on the festival, , but that’s Mac Demarco for you. The Canadian has developed as a cult curio personality, an indie-kid weirdo but as his latest album This Old Dog (fast becoming one of my favourites of the year) has shown, his songs seep into your skin. At Primavera, there was a big crowd ready to lap up both his tunes and his vibe. When the camera panned over the stage to reveal his naked drummer on the drum stool, it was clear it was going to be one of those kinds of sets. While the stage antics got increasingly more attention as Demarco stripped down to his underpants and singed his butt and underarm hair while standing on a guitar amp, the tunes never faltered from some sweet vibes (other than a closing guitar solo). Don’t underestimate how hard it is to write delicate songs this good, the stage show with added “Whitney crowd surf experience” and goofball antics only added to the sense of occasion. As did, Demarco ending the night crowdsurfing sans music stage right after his set.

2.

John Talabot Disco set

I decided to give Arcade Fire a miss this time to go see something different. The Catalan man John Talabot has always had a close association to Primavera as they asked him to debut his first ever live show at the festival so he always does something at it. This time around, it was two shows, one with Axel Boman as Talaboman and one DJ set billed as a disco set (after a great Young Marco set) which ended up being a set that featured crowdpleasing and disco-tinged music from classics like ‘Spacer’ to Aphex Twin ‘Windowlicker’ edit, Red Dragon Band’s ‘Let Me Be Your Radio’ to his own Teengirl Fantasy ‘Cheaters’ remix and my tune discovery of the festival – Akiyo’s Deboule. An edit of the Carribean Zouk tune from 1996 was played in the Talaboman set on the first night and immediately wired itself into my brain. Watch out for that (and let me know if you see one going). Talabot’s disco set was filled with the one thing that many modern DJs forget to pack on their USBS – fun.


3.

Flying Lotus

Flying Lotus reaffirmed my opinion of him as a visionary producer with his live cube A/V set on the Ray Bans stage on Friday night. At 3am, the combination of Strangeloop and Timeboy’s mindbending visuals and Fly Lo’s mind-altering music productions hit with force and bass so hard that in the middle of the crowd, near the front, the bass made the hair on the top of my head vibrate. It was that good. Musically, we had some of the new stuff, like the Kuso theme (the reviews have said it’s garbage), his Freddie Mercury remix, his Twin Peaks rework, his To Pimp A Butterfly production, his Kendrick feature ‘Never Catch Me’, a Captain Murphy joint and his Los Angeles material. It was a reminder of how great a Fly Lo set can be.


4.

Bon Iver

This took me by surprise. 22 A Million is a hard album to love and it didn’t really impact my listening habits last year very much. It was easier to admire and harder to love. But fair play to Justin and his band who have managed to translate this obfuscated object of coded language into a main stage extravaganza that pitched these songs with a larger stature, accompanied by superb sound and a stage show that featured the album’s hieroglyphics in cascading form. The album’s second half – songs like ‘666’ and the Springsteen-esque ‘8’ were late show highlights and four songs from 2011’s self-titled album. He might have spent much of the gig with giant headphones and a baseball cap on behind a bank of gear but a solo a capella version of ‘Skinny Love’ as encore nodded to the the journey Vernon has been on since 2008. It’s a significant one.


5.

Solange

The classiest stage show of the weekend went to Solange Knowles. A simple circle backdrop bathed in red with blue lights on the band and singers pitched things minimally. Translating a weighty but delicately produced album such as A Seat At The Table is a tough thing to do but Solange kept things focused and wisely brought in the energetic ‘Some Things Never Seem to Fucking Work’, ‘T.O.N.Y’ (from her 2008 Sol-Angel and the Hadley Dreams album) and career highlight jam ‘Losing You’. Occasional choreographed moves benefitted the show in subtle ways too. It was more a swaying side-to-side experience but it suited her.


6.

Aphex Twin

There was a run of abrasive shows on the opening night of Primavera Sound in 2017 that featured sets from Slayer, Converge, Death Grips (always excellent) and Aphex Twin. A Richard D James show is like no other and he really took advantage of playing the biggest stage at the festival to deliver an uncompromising two hour set filled with diversions into ten minutes of industrial white noise, acid techno, ambient noise, gyrating IDM , jungle breakbeats and electro weirdness. There wasn’t much to recognise unless you were an uber-Aphex nerd but he did play ‘Roy Of The Ravers’ at one point and one tune that sounded like MIA mashed up, smashed into a reggaeton beat and spat out. Visually, the show was crammed with small screens working in unison, and lights and lasers that extended beyond the festival site. His trick of using the faces in the crowd to project AFX imagery and faces makes the audience an integral part of the show, playing on the discomfort of lingering on someone in the front row’s self-conscious face for far too long to create some truly odd art. In fact, it was so intense I couldn’t last the whole show. How many artists can you say that about? No-one delivers a disorientating experience quite like Aphex Twin.


7.

Bicep

At 4:30am on the first night, Belfast duo Bicep played their live show which served as a slighty beefier version of their live sets naturally all focused on their own material and delivered with the precision and percussive panache that have made Andy Ferguson and Matt McBriar house stalwarts. A run of songs including ‘Just’ , ‘Higher Level’ , ‘In Yer Face’ , ‘Dahlia’ sent us home with grins on night one, eager for more from evening two.


8.

Sampha

Sampha’s piano torch songs don’t feel like a natural fit for a large festival stage but the dude’s been preparing. With three band members helping him build the beats, Sampha Sisay brought some dynamic energy to his set. There was a circle of a drum-off at one point and songs like ‘Blood On Me’, his Drake-feature ‘4422’ and ‘Reverse Faults’ stood out until he was left to deliver the heartbreaking ode to his mother – ‘(No One Knows Me) Like the Piano’.



9.

Run the Jewels


You know the drill by now. We Are the Champions. Two Best Friends. Fists and chains in the air. A Blockbuster Night. El-P and Killer Mike’s on-stage camaraderie isn’t even punctured or affected when the entire soundsystem goes dead for 10 minutes, as they mug to each other and run on the spot. A RTJ show is one of the best in rap and it hasn’t dissipated as the size of the stage has increased.



10.

!!!


What encapsulates the differentiation between Primavera and many other festivals is that the closing set of the festival on the only large stage left open went to !!! (Chk Chk Chk). The band encapsulate the festival’s early beginnings as a punk-funk rock band into their current guise as a strutting electronic disco act. Primavera know all you need to do is give !!! the stage and they’ll slay and that’s what they do close to 5am bolstered by the presence of Wnglish vocalist Lea Lea on co-vocals and ass-shaking along with Nic Offer upfront. With their seventh album Shake The Shudder just out, much of the set was drawn from that but two personal favourites ‘Freedom 15’ and ‘Syld’ closed out the show.

Posted on June 7th, 2017

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First it was the Twin Peaks theme tune that Flying Lotus tackled (to coincide with the show’s return this week – mixed feelings abound)

Now, Queen?

Stephen Ellison looks to be turning back his attention to music once more after finishing his full-length film Kuso (which looks bizarre).

‘Night Grows Pale’ which samples a pitched-down Freddie Mercury from Queen’s ‘White Queen (As It Began)’ (from 1974’s Queen II) feels like a chopped track from 2012’s Until The Quiet Comes or 2008’s Los Angeles it has that immersive Fly Lo quality to it, bringing one of the greats into his vision.

Posted on May 17th, 2017

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No surprise there then. Earlier this week, we concluded that Flying Lotus would probably not be releasing a new album in 2017 because of this feature film Kuso he’s been working on under the name Steve. but we’d probably get some new Fly Lo in the film.

Tim Heidecker, Hannibal Buress,David Firth, Iesha Coston, Zack Fox and George Clinton are among its cast and the original music is provided by Flying Lotus, Aphex Twin, Akira Yamaoka, Busdriver, Kamasai Washington, Miguel Atwood Ferguson, Thundercat, Niki Randa, Angel Deradoorian and more.

It’s set to debut at Sundance next week and looks fucking insane from the trailer. The plot is:

Broadcasting through a makeshift network of discarded televisions, Kuso is tangled up in the aftermath of Los Angeles’ worst quake nightmare. Travel between screens and between aftershocks into the twisted lives of the survived.

Posted on January 20th, 2017

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Update: It’s 2016, I found this post and enjoyed it. I’ve now added a Spotify playlist of all of the albums available.

Below is a list of my favourite records of the ten years between the turn of the millenium, the year 2000 and 2010. Ranking these albums was led by a) what the album means to me and b) how often I’d listen to it. Each and every one of these albums blew me away repeatedly at some time between the ages of 18 and 27. Each one has something special going for it, something magical that brings me back to it. For that I can only thank the creators of each.

Without further ado, here are my favourite 50 albums from the decade. And remember, you can’t be wrong if they are your favourites.

Listen on Spotify

Nialler9’s albums of the decade (2000-2010)

  1. The KnifeSilent Shout (2006)
  2. Joanna Newsom Ys  (2006)
  3. Broken Social SceneBroken Social Scene (2005)
  4. Queens of the Stone AgeSongs for the Deaf (2002)
  5. Arcade FireFuneral  (2005)
  6. J DillaDonuts  (2006)
  7. BattlesMirrored (2007)
  8. Animal Collective –  Feels  (2005)
  9. RadioheadKid A  (2001)
  10. Why? Alopecia (2008)
  11. GorillazDemon Days  (2005)
  12. The StrokesIs this it?  (2001)
  13. MIA/DiploPiracy Funds Terrorism / Arular    (2004/2005)
  14. Four TetRounds (2003)
  15. Cannibal OxCold Vein (2001)
  16. Death in VegasScorpio Rising  (2003)
  17. LCD SoundsystemSound of Silver (2007)
  18. Panda BearPerson Pitch  (2007)
  19. The StreetsOriginal Pirate Material  (2002)
  20. Aphex TwinDrukqs  (2001)
  21. PlaidDouble Figure (2001)
  22. Godspeed You! Black EmperorLevez vos Skinny Fists (2000)
  23. Saul WilliamsSaul Williams (2004)
  24. MadvillainMadvillainy  (2004)
  25. Buck 65Talkin’ Honky Blues  (2003)
  26. SquarepusherGo Plastic (2001)
  27. Sufjan StevensSeven Swans  (2004)
  28. The AvalanchesSince I Left You  (2000)
  29. Super Furry AnimalsRings Around the World  (2002)
  30. BeirutThe Flying Club Cup  (2007)
  31. DJ ShadowThe Private Press  (2002)
  32. Girl TalkNight Ripper  (2006)
  33. Broken Social SceneYou Forgot it in People (2003)
  34. Grizzly Bear  – Veckatimest (2009)
  35. Bon Iver For Emma Forever Ago  (2008)
  36. CamilleLe Fil  (2006)
  37. Animal CollectiveMerriweather Post-Pavilion  (2009)
  38. El-PI’ll Sleep When You’re Dead (2007)
  39. Bloc PartySilent Alarm (2005)
  40. OutkastStankonia (2000)
  41. DangerdoomThe Mouse and the Mask (2005)
  42. The Beta BandHot Shots II (2001)
  43. Max TundraMastered by Guy at the Exchange (2002)
  44. MogwaiMr Beast (2006)
  45. Primal Scream XTRMNTR  (2000)
  46. Wolf ParadeApologies to the Queen Mary (2005)
  47. Jamie LidellMultiply  (2005)
  48. Dangermouse The Grey Album (2004)
  49. Flying LotusLos Angeles  (2008)
  50. Shugo TokumaruL.S.T. (2006)

Posted on February 25th, 2016

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For some reason, Rick Rubin has got together a whole load of artists for a compilation based on Star Wars’ sounds archive that is called Star Wars Headspace.

The musicians were given access to the Star Wars archive with the only stipulation was that they were not to sample any John Williams.

Flying Lotus, Baauer, Royksopp, A-Trak, Claude Von Stroke, Shlohmo and Rustie are among the artists who made tracks for the release, out next week.

Three of the tunes were debuted on Zane Lowe’s Beats 1 show yesterday.

Posted on February 9th, 2016

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Update: Due to unavoidable commitments in America, this has moved from Sunday 19th April to Wednesday 29th April. All tickets remain valid for the new date.

Choice Cuts are bringing Flying Lotus to Vicar Street next year for a full live band A/V show on April 19th.

Tickets €27.50 plus TM fee (€30.40) are on sale this Friday at 9am from Ticketmaster.

New album You’re Dead is one of his best – a psychedelic jazz electronic bumper release.

EU tour dates

12th April – Milan @ Fabrique, Italy
13th April – Zurich @ X-Tra, Switzerland
14th April – Paris @ Le Trianon, France
15th April – Brussels @ Cirque Royal, Belgium
16th April – Luxembourg @ Rockhal, Luxembourg
17th April – London @ Brixton Academy, UK
18th April – Manchester @ Albert Hall, UK
19th April – Dublin @ Vicar Street, Ireland

Posted on December 19th, 2014

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Artwork by Stephen Maurice Graham.


 

Best of 2014 : Albums | Songs | Readers Irish albums | Readers Irish songs | Remixes | Videos 


 

The pairing of music and visuals is something I’ve always enjoyed but the concept of a music video has obviously changed in the last ten years. There are of course, still concepts, themes, ideas, techniques and executions that lift a song into another realm but there’s also so much video content out there now, that there are plenty of live video and TV performances, vignettes, parodies, and short documentaries around music that did the same thing a music video is supposed to do: to put the artist in front of more people. Here are 20 of my favourite “music videos” of this year.

Hit page 3 for a Youtube playlist.


20. DJ Rashad – ‘She A Go’

Video by: Peter Greenless

The world sadly lost the Chicago footwork DJ Rashad this year to drugs. His music existed in a discombobulating place alongside his partner Spinn. This fan-video for ‘She A Go’ used stock video footage of office life to do the same thing constructing a hyper-real experience in the process.


19. Angel Olsen – ‘Hi-Five’

Video by: Zia Anger

The singer Angel Olsen returned with Burn Your Fire For No Witness, her second album, which had a throwback rock feel. Suitably, the video feels like its beamed from another time via its filmic cinematography and Olsen’s movements specifically are inspired by choreographed studio performances from female pop stars of old, of which the director said “were always so wild and psychedelic and humorous from afar. The more you watch them, the more wooden and awkward the performances become. There is a certain loneliness captured. The song ‘Hi-Five’ seems to contain the same sort of duality.”


18. Ibeyi – ‘River’

Video by: Ed Morris

The recent introduction of the Chromecast to the home entertainment system has meant more space and time for music videos on a larger screen. After seeing these girls perform at Other Voices last week, I watched this video again, noticing how the French-Cuban twins are held down by male hands under water, how they hold their breath for long periods of time, the dead-eyed stare and the on-time lip syncing at the centre of all of this deceptively simple concept.


17. Compassion Crew – ‘Masters Of The Gentlemanly Art’

Video by: Simon Landrein

Dance music can be a perfect vehicle for a wide-open music video narrative and Simon Landrein lets his animation and imagination run wild on a stylistic train journey full of suggestion to match the chugging rough house track from the Irish producer.


16. Clu – ‘Mirrors’

Video by: Kevin Freeney

The Dublin duo of Sean Cooley and Kevin A. Freeney, Clu, have always put their electronic music and visual work on a par and on ‘Mirrors’, they’ve nailed both. It’s a complementary collaboration that transcends a typical visual tacked on to music setup. The video directed by Freeney serves as a chassis for a potent mix of music (an amalgamation of bass / garage / post-dubstep) , visual (cinematic sumptuous imagery), interpretive dancing and colour that makes for an impressive display of art in total.


15. Katharine Phillippa – Live at TedX

Video by: TedXStormont

The Belfast-based musician performs two songs with the help of a loop station, a bow, a drum, a keyboard, a laptop and an author’s intensity that leaps through the screen.


14. John Grant – ‘Glacier’

Video by: Jubilee Starter

With the upcoming Marriage Referendum in May next year, single-sex marriage will go to a public vote. It’s an incremental attempt at recognising the rights of the people in this country and should pass because who are you or are I to say to someone – “no, you’re love is not the same as mine” or “no, your love is not valid” or “no, your love isn’t something to be celebrated or recognised.”

In that context, ‘Glacier’, a song from the gentle giant John Grant who has battled with his identity and control and who has been made to feel bad for who he is, eloquently addresses those struggling with their sexual identity – “This pain, it is a glacier moving through you, carving out deep valleys and creating spectacular landscapes,” goes the chorus.

The video serves as a brief history lesson of the journey for that recognition of gay rights over the years juxtaposing chronological footage of the American gay rights movement, newspaper headlines, and pop culture to leave you with a stirring narrative of the journey so far. Here you can donate to the Marriage Equality campaign for 2015.


13. Vic Mensa – ‘Down On My Luck’

Video by: Ben Dickinson at Ghost Robot.

There’s a wrong decision at every turn. This video shows the possibilities.


12. Ratking – ‘Canal’

Video by: Eric K

A video that simultaneously captures the grimey decay of New York City while making the trio look cool as fuck.


11. We Are Shining feat. Eliza Doolittle – ‘Killing’

Video by: unknown. Knife thrower: John Taylor. Dancer: Shannelle ‘Tali’ Fergus,

Can you watch this without losing your shit?


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Posted on December 17th, 2014

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Flying Lotus’ new album You’re Dead is out tomorrow and first impressions of it are a mixed bag of psych-jazz and his own inimitable brand of electronic compositions, the latter standing out the most, particularly on a single track like ‘Never Catch Me’, Disclaimer: needs more listens though. The new video by Hiro Mura, fitting for an album revolving around death, takes place at a funeral and features two brilliant young deceased kids dancing out the church on their way to the afterlife.

Tomorrow is The Day Of The Dead where Flying Lotus will live stream 24 hours of live album broadcasts featuring full-length “Psychadelic Death Trip” film by Xavier Magot while Boiler Room will broadcast it on a loop. Starts at 11pm tomorrow night.

 

Posted on October 2nd, 2014

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1. The 2 Bears – ‘Not This Time’

2bears
With every release Joe Goddard shows he has the smarts but thus far, his project with Raf Rundell was either great or a bit cheesy as it hopped from genre to genre in search of something elusive. But the new single ‘Not This Time’, from the second album The Night Is Young, out October 13th is some considerable, repeatable pop smarts. The pair are also playing Playing Opium Rooms on Sunday November 1st.

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Posted on September 15th, 2014

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The Nialler9 TXFM show airs every Thursday night at 10pm for two hours. You can listen live on 105.2FM, online, the TXFM app or if you missed it, on the listen back function on the site, as per below. The show starts six minutes in, right after the news in each hour.

For the first time, I had guests on the show last night. Clu joined by in hour two to talk about their upcoming Fringe show on Saturday night.

HOUR ONE

  1. The 2 Bears  – ‘Not This Time’
  2. Theophilus London –  ‘Tribe’ (feat. Jesse Boykins III)
  3. Flying Lotus  – ‘Never Catch Me’ (feat. Kendrick Lamar)
  4. SBTRKT  – ‘Higher’ (feat. Raury)
  5. Au Revoir Simone –  ‘Love You Don’t Know Me’ (I Am The Cosmos Remix)
  6. TV on the Radio –  ‘Happy Idiot’
  7. My Brightest Diamond  – ‘Lover Killer’
  8. Mansionair –  ‘Hold Me Down’
  9. Anna of the North – ‘Sway’
  10. letthemusicplay  – ‘Our Town’ (Joe Goddard Dub) [feat. Kate Tempest]
  11. Dimman –  ‘SIGMAL’
  12. Real Lies –  ‘North Circular’

HOUR TWO

  1. Clu  – ‘Zenith’
  2. *Interview with Clu* (Clu –  ‘Mirrors’  in background)
  3. Clu –  ‘Odds 4’
  4. Objekt –  ‘Ganzfeld’ (Clu’s new music pick)
  5. Weval –  ‘Detian’
  6. Les Sins –  ‘Bother’
  7. Aphex Twin –  ‘minipops 67’ [120.2][source field mix]
  8. QT  – ‘Hey QT’

Clu interview

Posted on September 12th, 2014

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Colm Moore took his camera down to Kilmainham where he caught pics of The Flaming Lips, Warpaint, Flying Lotus, ASIWYFA and more at Forbidden Fruit.

I didn’t make it in for all the weekend but I enjoyed the visual show from Flying Lotus but I came away thinking he really needs to step up his live set.

Posted on June 3rd, 2014

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Saturday picks | Sunday picks | Stage Times | Spotify playlist


Forbidden Fruit is upon us. As requested by some, here are my 10 tips for bands to see to get the most out of your weekend in Kilmainham. Plus, stage times and a Spotify playlist. Enjoy your weekend and check the gig guide for the weekend’s FF afterparty details.


Saturday

1. Flying Lotus 3D Show / Thundercat & Captain Murphy

The Undergrowth Stage: 9:15pm – 10:45pm / 7:45pm – 8:45pm
Flying-Lotus-AMOA-Twitter-FEED-Topete-6

Stephen Ellison’s music has always had a visual imaginistic quality to it. His jazz-inflected electronic beats conjure up shapes and forms on its own so for him to push it forward into an actual A/V show makes sense. Forbidden Fruit will be the Irish debut of the 3D Show, which is pretty well explained in the video below.

As for Captain Murphy, Flying Lotus’ alter-ego showed he can rap too, as heard on 2012 mixtape Duality, a cult-leader pitched-down collection of Quasimoto-style hip-hop. He’ll be joined on stage by his good friend Thundercat, presumably in his role as a bassist first and foremost rather than a singer or solo performer.


2. Lisa O’Neill

Original Stage, 4:30pm – 5:30pm
Lisa O Neill acoustic

One of the most original, idiosyncratic and Irish voices we have in music at the moment, it’s good to see O’Neill get such a prominent slot at an Irish festival. Her second album Same Cloth Or Not, was filled with the Cavan lady’s personality and her colloquial mannerisms. Her folk voice is scrappy yet lilting, tinny yet commanding; that’s to say it’s not for everyone. As a performer though, O’Neill is also commanding, and very funny; she knows how to spin a story or two.


3. Fuck Buttons

The Undergrowth Stage, 6:15pm – 7:15pm
img-fuck-buttons_113426577172

Brutal in its mechanism and industrial in its rhythms, Slow Focus, the third album from Bristol duo Andrew Hung and Benjamin Power was as uncompromising as the pair have got. Previous albums relied on an ambient strain of repetitive euphoria that saw that track ‘Olympians’, wisely enough, used in the opening ceremony of the London Olympics in 2012. In a live context, they combine all of that in a barrage of low and high frequencies that leaves you elated and bruised.


4. And So I Watch You From Afar

Original Stage, 6pm – 7pm
5C9F5F

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Surely you’ve seen ASIWYFA live by now? They’ve been on constant tour since they began that it had to happen. So you’ll know you’ll be at this to witness a set from one of the best live bands in any country – the Belfast lads rip through the instrumental rock rulebook with a fervour that is only matched by their latest album’s sunny uplift – perfect for a festival so.


5. Girls Names

The Undergrowth Stage, 9.45pm – 10.45pm
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Also from Belfast, Girls Names’ took a step towards a bolder, more gratifying sound on their album The New Life last year eschewing the jangly surf-rock of previous releases for a more distinctive and thematically unified sonic palette of post-punk, kraut and new wave. It means the band’s live set is a head-nodding mood-piece of some of the most evocative guitar sounds drawn from the late ’70s/early ’80s period of rock music.


Saturday picks | Sunday picks | Stage Times | Spotify playlist


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Posted on May 28th, 2014

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Forbidden Fruit Festival is only a few weeks away when it takes over the Royal Hospital, Kilmainham on Saturday May 31st and Sunday June 1st.

The music lineup looks like this so far (comedy lineup), with a bit more to be announced:

Saturday:

The Flaming Lips, Bell X1, Flying Lotus 3D show, Fuck Buttons, Nils Frahm, The Young Knives, Vann Music.

Sunday

2ManyDJs, Warpaint, Totally Enormous Extinct Dinosaurs, Public Enemy, Little Dragon, Gold Panda, Klangkarussell (live), Brian Deady

Here’s a Spotify playlist of most of the acts playing for your preview listening and perusal.

Nialler9 x Forbidden Fruit Spotify Playlist

  1. Little Dragon – ‘Paris’
  2. Thundercat – ‘Oh Sheit It’s X’
  3. Public Enemy – ‘Public Enemy No. 1’
  4. Flying Lotus – ‘Stonecutters’
  5. Metronomy – ‘Love Letters’ (Soulwax remix)
  6. Dillon Francis feat. TEED – ‘Without You’
  7. Gold Panda – ‘We Work Nights’
  8. The Flaming Lips – ‘Free Radicals’
  9. Fuck Buttons – ‘Olympians’
  10. Klangkarussell – ‘Sonnentanz’
  11. Brian Deady – ‘Actually’
  12. Warpaint – ‘Keep It Healthy’
  13. Wild Beasts – ‘A Simple Beautiful Truth’
  14. Bell X1 – ‘I Will Follow You’
  15. Kid Karate – ‘This City’
  16. The Range – ‘Metal Swing’
  17. Vann Music – ‘Life In Real Time’
  18. Nils Frahm – ‘You’

Posted on May 12th, 2014

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Forbidden Fruit today announced their first lineup for the first day of the festival Saturday May 31st with more names announced for Sunday June 1st tomorrow.

Hitting The Royal Hospital grounds of Kilmainham this Saturday will be:

The Flaming Lips, Bell X1, Flying Lotus 3D show, Fuck Buttons, Nils Frahm, The Young Knives, Vann Music plus more to be announced later.

Ticket prices:

Early bird: 1 day €49.50 | 2 day €99.50
General: 1 day €59.50 | 2 day €110.00

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Posted on March 12th, 2014

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December was all about End of Year lists so there was still lots of music I didn’t feature on the site last month. Most of it, you’ll find below…

The 30 tracks:

  1. Tev’n  – ‘Callous Heart’
  2. Marika Hackman – ‘Cinnamon’
  3. Sunken  Foal – ‘As Hot As Fresh Milk’
  4. Chrystyne – ‘Time Is An Arrow’
  5. St. Vincent – ‘Birth In Reverse’
  6. Flying Lotus – ‘Flotus’
  7. Burial – ‘Come Down To Us’
  8. Grimes x Four Tet – ‘Human Once Again’
  9. Warpaint – ‘Biggy’
  10. Run the Jewels – ‘Pew Pew’ (feat. Q-Bert)
  11. We Cut Corners – ‘Every Thief’
  12. Major Grave – ‘Keep On’
  13. Con Vos – ‘Coast’
  14. Laura  Groves – ‘Waterfall’
  15. Gardens & Villas – ‘Bullet Train
  16. Clu – ‘Jade’
  17. French Horn Rebellion & Savoir Adore – ‘The Fire’
  18. Young Fathers – War’
  19. Njena Redd Foxx – ‘Needful Things’
  20. Py – ‘Swimming Slow’
  21. Lorde –  ‘Ribs’ (Ryan Hemsworth remix)
  22. No Monster Club – ‘Damn The Weather’
  23. Bondax – ‘Fires’ feat. Josh Record
  24. Burial – ‘Endorphin’ (Bodwan remix)
  25. Mmoths – ‘Untitled’
  26. Jape – ‘Ribbon Ribbon Ribbon’
  27. Niia – ‘Generation Blue’
  28. Graphics – ‘I Know You’re Ready’
  29. Rejjie Snow – ‘Nights Over Georgia’
  30. Disclosure – ‘January’ (Kayatranada remix)

Posted on January 3rd, 2014

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