Notes On Rave In Dublin is a documentary that takes you right back to the origins of dance music in Dublin, ‘a story of how an underground works, mutates and survives,’ as we featured here earlier in the year.
A new screening takes place on Friday December 1st in Liberty Hall, Eden Quay.
After the screening there will be a guest presentation on ‘Making Memory In Our Scenes’, speakers on the night include John Byrne who will be talking about a forthcoming compilation called Quare Groove, Garry O’Neill the man behind Where Were You? Dublin Youth Culture & Street Style 1950-2000 and Power FM DJ Ciaran Nugent. That will be followed by a Panel Discussion with Liam Dollard, Francois Pittion, Aoife Ni Canna, Kevin Barry and Sunil Sharpe.
A b2b rave will then take place in the Wiley Fox after with a full venue take over with some of Dublin’s finest DJs.
Breen x Sias x Melly + DJ Kit-Kat Tennis League
Downstairs: Golden Maverick / Francois + More TBC
Tickets for the screening are priced at €12 Tickets for after party in The Wiley Fox are also Priced at €12 or Super Dooper Combo Deal (Screening + Party in Wiley) for €20
To anyone who knows what Jerome does, he is not underrated, but overall I still feel he doesn’t get his rightful props. Here he does some clever chopping and arranging of elements from Cajmere’s ‘Percolator’, adding extra whistles and his own distinctive shuffling drums, to make a serious party track. I don’t have an absolute number 1 track of the year, but this has got played at pretty much every gig I’ve done since I got it! Was also a big highlight of Bloc weekender this year, when Jerome dropped it in his set on the closing night.
Alpha 606 – Armambo (BMG remix)
Not sure what style you even call this, tribal electro?! Nah, that description sounds quite tacky actually, but it is kind of the style. Either way, it has a really free spirited energy that also becomes very hypnotic. When you hear a track or style as defined as this, that sounds like nothing else around, you have to tip your hat. So often remixes are not really worth the bother but this works so well. Is like the next stage of where UR were going with some of those big, loose electro tracks that they used to put out.
Blush Response – Body Architect
After my Boiler Room set in Dublin I got loads of messages looking for the ID of this. A bellowing techno monster to awaken the dead and kill the dancefloor, this is one of the most powerful hard-edged tracks I’ve heard in ages. I like that it has such a prominent and obnoxious lead sound – something that I feel is missing in a lot of modern techno, much of which is overly focussed on distorted drums or thin bleep sounds.
Randomer – Concierge
Randomer has been on fire this year. Creator of such a rounded, rhythmic sound – he’s now becoming the Joey Beltram of his generation in a weird kind of way. Besides having a quite extensive sound palette that peppers his tracks, a lot of the magic lies in his busy but subtle arrangements too. Randomer’s techno has often sounded like another version of Blawan, but tracks like ‘Concierge’ are seeing him go further down a new path of his own.
Adapta – MKS-50_04
What starts out like a pulsing, Arpanet style electro track, soon turns into a wailing rave weapon. Steve Conner was one half of the great brotherly duo Bitstream, and his solo material as Adapta since, always gets me excited.
Kamikaze Space Programme – Type 3 (JoeFarr remix)
Love KSP’s stuff, and his originals on this release on Vanta Series are strong, but Joe’s remix is the one that I played the most here (and throughout the last quarter of 2016). Intricate, clanging drums underpin a dizzying lead line, that wouldn’t sound out of place on an old shuffle beat Wassermann track or something.
LA-4A – Understand
This in fact came out at the end of 2015, but I got it in early 2016. Re-uses the vocal from a mid-eighties track by Quest called ‘Mind Games’ (LFO’s ‘You Got To Understand’ sampled it too) in a devastating repeated effect, all behind some sharp, springing 808s. Delft has been one of my favourite new labels, and LA-4A (aka Ambivalent) has been straddling the line between techno/acid and electro in a really pleasing way.
Ryan James Ford – Kuhlp Korkhu
Actually there are some deeper, arguably more moving tracks on this record (on Answer Code Request’s ACR label), reminiscent of classic early Autechre, but this is the more “direct banger” from the record that I’ve been playing the most. A perfect tool for sending the crowd into a more spaced-out state, before shifting it up or down a gear.
Christopher Joseph – Outside The Lines
I played this a lot early on in the year, always a nice set-opener to kick off with a bang. Some otherworldly synth sequences turn it into an intense trip, reminding me a lot of ’90s Freddy Fresh, but in a tight, more modern production style. Christopher does a solid job with his label Flexxseal, and it’s refreshing to see new artists put everything out through their own label instead trying to land on ‘big’ labels, despite the fact that his music is big label worthy.
Have been following Optimo Trax as closely as I can since it started, and here and there, there have been some real gems. The original of this dates back to 1985 apparently, which while not having too many elements, does lay a solid foundation for what Shan and Janson do with their remix. It’s pretty textbook rave stuff – hoover stabs over breakbeats, but with added uplifting keys to give it a breezier feel. Not a million miles away from some of Special Request’s material, but of this style, this was the one I probably came back to most in 2016.
For its third edition, Boiler Room arrives on the Monday after Forbidden Fruit Festival and leading the charge is Dublin techno king Sunil Sharpe, analogue electro and techno producer DeFeKT, DJs Daire Carolan & Sonel Ali (All City Records, First Second Label,Jheri Tracks) and Cork lo-fi electronics from Elll.
While I’ll happily admit techno isn’t my preferred choice of late-night listening, it’s usually the work of Sunil Sharpe who turns my head locally, whether through mixes or sets at festivals like last year’s Castlepalooza.
Sharpe’s reputation while long-established seems to have received an extra boost of late. He’s been performing around Europe for a while now but he’s really starting to get the recognition for his abilities in the genre, through Boiler Room features and old-fashioned perseverance.