The National Concert Hall will host a Shane MacGowan 60th Birthday Celebration on January 15th next year and a lot of famous people will be in attendance to participate including Shane MacGowan himself and:

Nick Cave, Bobby Gillespie of Primal Scream, Glen Hansard, Camille O’Sullivan, Johnny Depp, Cerys Matthews, Carl Barat of The Libertines, Lisa O’Neill, Finbar Furey, whenyoung, Glen Matlock of The Sex Pistols, Clem Burke of Blondie with Cáit O’Riordan, Spider Stacy, Jem Finer, Terry Woods of The Pogues, and more.

Joining them are a newly created band featuring members of the Pogues led by Music Director Terry Edwards. The evening’s celebrations will be hosted by RTÉ broadcaster and presenter John Kelly.

Tickets are on sale Friday at 10am from €65+ up to €85+ from 01 417 00 00 or

The concert as part of the NCH Perspectives Series celebrates the power and poetry of Shane’s work and his singular contribution to Irish music.

Born Christmas day, 1957 Shane Patrick Lysaght MacGowan spent some of his childhood years in Pembury, Kent, before he and the family moved to his mother’s home close to Nenagh, County Tipperary. Within a few years, the family returned to England, and by the mid-1970s, MacGowan had hitched a ride on the punk rock tour bus. After seeing The Clash, and being up close and personal with the Sex Pistols and The Jam, he formed The Nipple Erectors. It wasn’t until the early 1980s that he established himself as a song-writing force to be reckoned with a new band.

When it came to writing songs for The Pogues, it was a given that MacGowan would draw on not only his Irish heritage (Irish nationalism, history, immigrant life in London and beyond) but also his love of literature (poets and writers such as James Clarence Mangan, Brendan Behan, JP Donleavy).

Founded in 1982 by MacGowan, Peter ‘Spider’ Stacey and Jem Finer, The Pogues (or as they were initially named, Pogue Mahone, the Anglicisation of the Gaelic póg mo thóin – ‘kiss my arse’) invested a hefty level of realism and impertinence into a music form that was often seen as commercially sluggish. Blending Irish traditional music with punk, The Pogues quickly came to the attention of record companies and signed to the London-based independent label, Stiff Records. In 1984, the band’s debut album, Red Roses For Me (1984) introduced a major song writing talent in MacGowan, whose methodically arranged lyrics in songs such as Dark Streets Of London, Boys From County Hell, and Streams Of Whiskey combined the rawness of Brendan Behan (whose The Auld Triangle was included on the album) with a metropolitan poetic sensibility that too many people have since failed to emulate.

The following year’s Rum, Sodomy and The Lash (produced by Elvis Costello) was even better, featuring songs that would soon be termed ‘classic’: The Sick Bed Of Cúchulainn, The Old Main Drag, A Pair Of Brown Eyes, and Sally MacLennane. A year later, the Poguetry In Motion EP was released and featured equally significant, evocative songs such as A Rainy Night In Soho and The Body Of An American. Between these songs and the band’s 1988 (third) album, If I Should Fall From Grace With God, MacGowan wrote his own name into the history books.

Whether rugged ballads or raucous tunes, MacGowan had the measure of them, and as the years passed it seemed as if the force of the songs and the pleasures of the words increased in strength. Several years ago, his friend Johnny Depp described MacGowan as “one of the most important poets of the 20th century.”

MacGowan is that, for sure, yet he is also one of the very few singular, erudite pioneers whose personal vision of music provided successive generations with notions way beyond their awareness. The legacy of his genius song-writing has not only been sustained but also intensified. He is, as a particularly relevant song might observe, a man you don’t meet every day.

Posted on December 6th, 2017

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Please enjoy my hour-long mix of tunes from people playing the Picnic this weekend. Tune into TXFM at 10pm tonight for My Electric Picnic special show.

Download links: Freakshare | MediaFire | OBoom

Here are the Electric Picnic stage times and my #newmusic picks of the festival.

Nialler9 Electric Picnic mixtape

  1. LCD Soundsystem – ’45:33′ (Prince Language mix)
  2. Blondie – ‘Rapture’ (Luxxury edit)
  3. Outkast – ‘Miss Jackson’ (Golden Pony remix)
  4. Glass Animals – Gooey (Gilligan Moss remix)
  5. Kelis – ‘Trick Me’
  6. Janet Jackson – ‘If’ (Kaytranada remix)
  7. Get Down Edits – ‘Do What You Wanna’
  8. Chic – ‘I Want Your Love’ (Todd Terje remix)
  9. Metronomy – ‘Love Letters’ (Soulwax remix)
  10. Krystal Klear – ‘Squad’
  11. Jungle – ‘Time’ (Joe Goddard remix)
  12. Adultrock – ‘Chants’
  13. SBTRKT and Sampha – ‘Look At Stars’
  14. Bicep – ‘Stash’
  15. Shit Robot feat. Nancy Whang – ‘Do That Dance’
  16. London Grammar – ‘Sights’ (Tourist remix)
  17. Roxy Music – ‘Love Is The Drug’ (Greg Wilson remix)

Posted on August 27th, 2014


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21 bands were added to Electric Picnic today:

Blondie, Sinead O’Connor, Mogwai, James Murphy, Kelis, Neneh Cherry, The Horrors, Duke Dumont, Twin Shadow, Ham Sandwich, Clean Bandit, Drenge, The Orwells, Glass Animals, Wolf Alice, The Districts, Unknown Mortal Orchestra, Vancouver Sleep Clinic, Vaults, Benjamin Booker, Moko.

Playlist of additions

That adds to the previously announced acts including Beck, Portishead, Outkast, Foals and more as per the poster:



Until July 4th midnight
€194.50 weekend tickets

From Midnight, July 4th
€229.50 weekend tickets
Campervan Tickets are €60
Tickets are available from

Previously: See Electric Picnic in GIFS from last year.

Listen to Nialler9 as a playlist

Posted on May 13th, 2014


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Tracks of the Week playlist

1. Tensnake & Jacques Lu Cont – ‘Feel Of Love’ ft. Jamie Lidell

The funky rhythms of Prince’s music can be felt on this three-way with Lidell doing his soul vibe frontman thing and Tensnake and Lu Cont bringing it all together into one complete package.

2. Seven Davis Jr. – ‘P.A.R.T.Y.’

Samuel Davis is an LA-based singer/producer and as it happens he’s in town supporting Andrew Ashong tonight. And speaking of Prince, ‘P.A.R.T.Y.’ sounds like an edit of one of his deep cuts. From the EP out on March 11th on Funkineven’s Apron Records.

3. The Horrors – ‘I See You’

Shimmering and sparkling epic ambient synth-rock new single from the band’s fourth album.

4. Jay Daniel – ‘Royal Insanity’

Rolling electro-funk from a Detroit producer. This boogie is from his Karmatic Equations EP on Wild Oats out now.

5. Solar Bears – ‘Interzone’

“New studio jam in honour of the late great director Dennis Hopper,” was how this was let out on the world. A fine precursor to whatever album number three will sound like.

6. M83 – ‘I Need You’

A new M83 track as featured on the film Divergent and not only does the song have big cavernous drum beats and a synthesized reaching production, that ‘Midnight City’ sax makes a delightful reappearance.

7. LIZ – ‘All Them Boys’

As introduced during the week, Mad Decent have released a 7-track EP from LIZ, a club-orientated R&B singer. ‘All Them Boys’ is my favourite track from her at the moment.

8. Bok Bok feat. Kelela – ‘Melba’s High’

New collaborative single on Night Slugs featuring my favourite singer of the year so far. ‘Melba’s High’ is a meeting of Fade 2 Mind and Night Slugs, LA and London, from an EP out in May.

9. FKA x inc.

FKA Twigs and inc. collaborated on a zine and a 7″ single track.

10. Blondie – ‘Rapture’ (Luxxury rap-free edit)

A DJ-friendly edit from LA’s Luxxury. Check out his Bandcamp for more of The Clash, Bowie and Fleetwood Mac.

Posted on February 28th, 2014

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