Their latest release ‘Talk’ is an eerie synth driven track with tropical tones and echoing vocals, taken from short documentary Flash directed by two Irish filmmakers. This is the first song of a three-part series where the duo have written music for short documentaries to be released this month.
‘Stay As You Are’ is a new track from the duo. Unlike the a soulful psychedelic groove of ‘You’d Gotta Be Alive’, ‘Stay As You Are’ revels in a suspended atmosphere of creepy synths, tense rhythm and warped pop.
Now we’ve kicked 2016 to the curb, it’s time to look forward.
January is all about freshness, so here are 20 acts from around the globe who I reckon you’ll be hearing much more of this year. Some will be familiar to you but I expect to make an even bigger splash and some, I bet are likely to be appreciated by a lot more people by the year’s end. That was the criteria. I avoided any of the obvious ones you’ve seen elsewhere especially the BBC Sound of 2017 poll.
There are also extended playlists featuring the pick of those acts and more (JFDR, Jorja Smith, Declan McKenna, Louis Berry, ABRA, Jamilia Woods, Maggie Rogers, Pumarosa among them) on Soundcloud and Spotify.
A regular feature on Nialler9, Hare Squead spent the year building their fanbase in the UK by supporting Dua Lipa and dropping a series of singles and an EP on Columbia Records that suggested that Tony Konstone, E-Knock and singer Jessy Rose’s blend of soul, R&B, rap and pop could cross the Atlantic this year if all goes well.
Four songs deep and Scandinavian artist Skott (who apparently “grew up in a remote small town forest commune run by ‘outcast’ folk musicians”) has already received some worthy plaudits – Annie Mac’s Hottest Record In The World, approval from Lorde, plays on Zane Lowe’s Beats show and topping the Hype Machine’s most blogged chart (and featured in their end of year list)
Her songs so far are bright pop nuggets from the sweet melody of ‘Porcelain’ to orchestral finger-clicking ballad ‘Wolf’ and the whistle-assisted electronic pop of ‘Lack Of Emotion’.
Idaho-born musician Jens Kuross studied Jazz at Berklee college in Boston but last year begun releasing music under his own name on the London-based Aesop label. Now based in LA, Kuross’ six tracks last year were songs of emotion, depth, minimalism and confident songwriting, taking on a singing style that gets more affecting as it opens up, with touches of Radiohead and minimalist songwriters.
UK siblings reaching out with new pop tones.
Cotswold brother and sister Rob and Katy Pearson AKA Ardyn appeared with the smart indie pop song ‘Over The River’, a song close to London Grammar in mood. An EP followed, The Valley, which featured production by James Ford (Simian Mobile Disco, Arctic Monkeys). More of the EP’s arched celestial pop overtones would be welcome in 2017. If you’re in London next week, they play The Line Of Best Fit’s Five Day Forecast.
Dublin singer-songwriter has reached far in a short time.
For a new artist, having your second EP racking up over 1 million streams in your first year is quite an achievement. But Ailbhe Reddy has found fans wherever she has gone – whether its at festivals like Electric Picnic, Other Voices and Body & Soul among them. As she has grown in consciousness, so too has her craft and her live set finds her flanked by a full-band adding depth to already substantial songs. You may have heard her song ‘Seasonal’ in the RTÉ show Striking Out – courtesy of myself and Avant Music Port too.
2017 sees Ailbhe step it up into the wider world, starting with a new single ‘Relent’ and two gigs – The Servant Jazz Quarters in London on 15th February and The Sugar Club in Dublin on 22nd February.
Hear her new song below which Ailbhe says:
‘Relent’ is about looking back on a soured relationship & realising how it could have been, seeing the lessons and my own shortcomings as part of the story. It’s about the guilt that forms part of the natural retrospection on a once loving relationship. Too often these songs can be purely accusatory, whereas I’ve tried to explore the reality that there are two sides to every story and each party has their own narrative as they see it. The inspiration was these feelings and the song was written as an attempt to express this and move forward from it. To sweeten what has soured and move on without guilt”
Two French men make up the duo Her, making sensually suggestive R&B pop songs with electronic undertones – reminscent of Rhye with more body (ahem). They’ve had a few memorable songs already in the form of ‘Quite Like’, ‘Five Minutes’ and their most recent single ‘Queens’ featuring Zefire. They’re now signed to Island Records and kick off their year at Eurosonic next week. A debut album is forthcoming.
St. Francis Hotel are a new Irish act/producers based in London who have released three songs thus far but have done enough to be noticed by the wider world via KCRW, The Line of Best Fit, Clash, BBC Six Music and Spotify.
They previously featured here as producers of the song ‘Writer’s Block’ with Lixo and Trim but their own music is much more band-based, psychedelic rock, synth atmosphere with pop tones, as heard on debut ‘Mondello’ and its reprise of sorts ‘Beyond Mondello’ below.
The duo (names unknown) met in London after emigrating to Dublin during the recession.
Newest song ‘You’d Gotta Be Alive’ is the best of the three: a soulful psychedelic groove with falsetto and laid-back atmospheric vibes.
‘You’d Gotta Be Alive’ is taken from a two-part EP slated for release on 27th January 2017.