Danger Mouse’s song from Edgar Wright’s forthcoming film, Baby Driver features Run The Jewels and Big Boi on the track.
‘Chase Me’ is a triumvirate rap caper from the film’s soundtrack which has 30 tunes on it.
Both Killer Mike of Run the Jewels and Big Boi appear in the film too.
“Edgar showed me a cut of the movie last year and I loved the Atlanta connection. I’ve been doing more hip-hop stuff recently, so I bugged both Run The Jewels and Big Boi to jump on it. We’ve all known each other for years and talked about working together before so I’m really glad this could happen now.”
I’ve been listening to EL-P since the days of Rawkus Records (and subsequently famously denounced the label), since the days of SoundBombing compilations, since Cannibal Ox, since he ran Def Jux, through his solo material and of course, his crowning relationship with his cohort Killer Mike, as Run The Jewels.
They have an alchemy that is rare. That two essentially aged rappers are able to command such a large fervent audience and make music that bangs harder, digs deeper and explore 21st American issues with the camaraderie and swagger of cartoon villains is a large part of their appeal and one of the most impressive things about Run The Jewels.
That foundation was built on Killer Mike’s debut album Rap Music, which El-P was brought in to produce a track on. He ended up producing the whole album after Mike who wasn’t familiar with El-P’s work realised he was working with someone special, who was able to produce songs with enough low-end to detonate bombs, to create beats that were dystopian, claustrophobic but comically rendered.
In tribute, and in no way definitively, here are 10 of my favourite El-P productions from across his career. This could go on for dozens more.
Company Flow – ‘End to End Burners’ (1997)
Early El-P had some funk to it that he regained and reworked in his work for Run The Jewels alongside the earth-shattering low-end. ‘End to End Burners’ was my gateway into the world of underground hip-hop. I remember seeing the group: EL-P, Big Juss and Mr Len perform it on Jo Whiley talk show for Channel 4 back in the day. “Diss Me On the Internet,” must have been a novel reference at the time.
Company Flow – 8 Steps To Perfection (1997)
Funcrusher Plus was one of the first alternative rap albums I heard and it’s mood was akin to Gravediggaz at the time – a weird curio album, except for me, this was king. ‘8 Steps To Perfection’ is uncharacteristically laid-back for an El-P production but it lets the MCs roam. There are no sirens in the distance, just a watery synth line, some gurgling robotic noises and a head-nodding low-end.
Cannibal Ox – ‘Vein’ (2001)
The Cold Vein is grimey. Not in the way of genre but in the way, it holds humanity down on the floor and forces it to eat the dirt. The world is a dark place and there is rubbish in every corner. Like much of the album ‘Vein’ proceeds as if it’s ricocheting off society’s worst nightmares of itself. El-P produced the entire album for MCs Vast Aire and Vordul Mega and was a part of the group. The Cold Vein is one of the all-time greats.
El-P – Deep Space 9MM (2002)
“Sign to Rawkus? I’d rather be mouth fucked by Nazis unconscious,” is how El-P addresses his former partnership with the label on his 2002 debut Fantastic Damage, a caustic and dystopian album that would form the blueprint his trademark style. ‘Deep Space 9MM’ taking its name from the Star Trek series and combining it with a handgun reference has one of El’s most recognisable beats, a clattering beat that is combined with El at a time in Def Jux’s lifespan when the MCs (like Aesop Rock) were twisting and ciphering their words into an artform.
El-P – Poisonville Kids No Wins (2007)
The closing track on El-P’s I’ll Sleep When Your Dead as akin to an expansive zoom-out of a cityscape with Cat Power wooing atop the track. This is like if El produced a Portishead song.
El-P – Fuck The Law (2008)
Slightly cheating somewhat, but the job of a good producer is also knowing when to employ the right sample and this track takes Modeselektor’s ‘Edgar’, A German electronic song and recasts it in his own image. This is from the WeAreAllGoingToBurnInHell Megamixxx2 mixtape.
Killer Mike -‘Big Beast’ with Bun B, T.I and Trouble (2012)
An homage to Public Enemy. El-P applies some old-school boom bap with some grade-A dangerous low-end on a highlight from his collaboration with Mike on Rap Music, an album he produced in full and is responsible for RTJ.
El-P – ‘The Full Retard’ (2012)
From 2012’s Cancer 4 The Cure, his last solo album, ‘The Full Retard’ is a maniacal laugh in the form of a track.
Run The Jewels – ‘Close Your Eyes (And Count To Fuck)’ (2014)
By RTJ3, Mike and El are running at full clip and ‘Call Ticketron’ mainlines the best parts of El’s production techniques – a nod to the old school of ‘It Takes Two’, a booming minimalism, a club-rap pace and a great sample.
Big Boi’s upcoming Vicious Lies And Dangerous Rumors will feature some fine plinking plonking from Sweden’s Little Dragon. Here’s a live preview of ‘Mama Told Me’. Reaaal nice. Previously we heard ‘Gossip’.
I’ve always found it easier to get into rap artists through albums rather than singles. Rap albums are often sprawling messes but if a rapper gets it right in the quality control department then they get my eternal gratitude. The latest rap album to receive it (and there’s not many solid rap albums these days) is Outkast Big Boi’s Sir Lucious Left Foot: The Son of Chico Dusty. The hype for this album has been pretty big online and on my Twitter feed. I finally heard it yesterday and it’s solid. ‘General Patton’ (above) is the tune that did it for me with it’s choir-assisted big brass swagger. It features guest turns from Janelle Monae, Gucci Mane, George Clinton, Yelawolf, Jamie Foxx, B.O.B and Sleepy Brown but the star is Big Boi. The Pitchfork review sums it up nicely. More listening required but for now let’s give it a on-repeat #nowplaying status.
If you haven’t got your hands on the album yet, the Big Boi Mixtape for Dummies is still available as a free download or for listening. You can also get the Daddy Fat Sacks mixtape via Hypetrak.
Lovin’ this tune from Janelle Monae’s new album featuring Big Boi of Outkast to boot. It’s a fitting collaboration as Monae is pretty much a female version of Andre 3000 – all sharp suits, retro style, just cool all round. ‘Tightrope’ is a funky soulful number with subtle “classy” brass and HANDCLAPS! You can buy it from her official site.
Her forthcoming album(s) Metropolis Suites II & III: The ArchAndroid will also feature Of Montreal, Saul Williams, Deep Cotton and the Wondaland Arch Orchestra. It’s out May 18th. A short film/music video of Monae is below.