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Review: Leo Drezden - Multi-Moment

Leo Drezden’s debut album Multi-Moment is a colourful ride through post-rock, electronic, jazz and prog. Steve McKinney, Chris Con, Dan Le Bolloc’h and Rian Trench’s multifarious genre leanings together produce a varied album of music. Primarily, its thrust is of a post-rock vein, with instrumental twists and turns dominating over traditional song structures.

The work of Trench, as one half of Solar Bears and a superior producer is indelibly felt through, so much so that some of it sounds like a jazz-educated post-rock band performing Solar Bears covers. That does show how much of an imprint Trench makes on Solar Bears’ music.


The album is well-titled, as its overall impression leaves passages of memorable music. ‘Slave Lake’ is a celestial interstitial that leaves a mark, ‘Black Palace’ takes flight into a analog prog-noodle pleasantry and elsewhere the octane rock breakdown of ‘Quest’, the percussive outro of ‘Green Fire Magic’ and the psychedelic closer ‘We Found Her Lying There’ stay with a listener.

Generally, the post-rock tendencies are ever-present, though an unfurling of notes and interplay help lift the song which are often whizzing by without a need to stop, save for a resolved end chord. Such pauses are shortlived.

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And like their local brethren Alarmist, the band are excellent players, and such skills matter when so much detail is crammed into each track.

Buy the album from Bandcamp.


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