A podcast live recording from The Big Romance about the Chemical Brothers second album, – a 1997 dance record classic with guest Mango.
When I think of The Chemical Brothers, I think of Irish summer festivals and big nights out. The pure, kinetic energy of thousands of people losing their minds in a field or a packed arena.
Released in April 1997, Dig Your Own Hole was the album that cemented Tom Rowlands and Ed Simons as electronic music’s first true rock stars. Coming up to its 30th anniversary, it remains a landmark achievement: a psychedelic, acid-drenched dance record built out of hip-hop breaks, sirens, samplers, and raw punk attitude.
With crossover chart hits like ‘Block Rockin’ Beats’, ‘Electrobank’, ‘Setting Sun’ and the euphoric closer ‘Private Psychedelic Reel’ the album balances dancefloor power with adventurous studio experimentation.
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My Gateway into Dance Music
For me, this album was the gateway. I bought it on CD while on holiday with my parents in Boston in 1999. Before that, my exposure to electronic music was strictly Scooter, along with hearing ‘Life Is Sweet’ on those iconic Best Album in the World… Ever! compilation CDs.
In his seminal book Energy Flash, critic Simon Reynolds described the Chemical Brothers’ signature sound as “Britpop-with-breakbeats.” They brought a punk-like assault to techno by emphasizing the same blaring mid-frequencies supplied by distorted rock guitars
While the American press tried to brand it as the “electronica” revolution, calling Tom and Ed the “Beavis and Butt-head of techno“, the duo pushed back, citing US hip-hop and Chicago house pioneers like Frankie Knuckles, Juan Atkins, and The Bomb Squad as their true north stars.
5 Things You Might Not Know About Dig Your Own Hole
1. Built for the Sunday Social
Before they were headlining arenas, Tom and Ed were “The Three Blind Mice” at Manchester University—studying medieval history by day and hitting the Haçienda four nights a week. Their legendary 13-week residency at Heavenly’s Sunday Social in London transformed UK club culture, with regulars like Oasis, Blur, Primal Scream, and the Manics coming to watch them blend hip-hop, acid house, and psych-rock.
2. “Setting Sun” Broke BBC Radio 1
Noel Gallagher wrote and recorded his vocal in 20 minutes after hearing the duo spin The Beatles’ ‘Tomorrow Never Knows’ in a sweaty basement set. When the single dropped, BBC Radio 1’s Breakfast Show famously pulled it off air halfway through because it was too intense for morning radio—which only helped propel it to UK #1.
3. Recorded in a 10×10 Room at Orinoco Studios
Recorded in Elephant & Castle (the same studio complex where Enya’s “Orinoco Flow” got its name and Gaye Bykers on Acid recorded Drill Your Own Hole), the album was field-tested in clubs using white-label promos (Electronic Battle Weapons 1 & 2) before the final tracking.
4. A Pencil and Sellotape Created the Phase Effect on “The Private Psychedelic Reel”
To get the sweeping phase effect on the 9-minute closer, Tom and Ed sellotaped a pencil across a bank of mixing desk faders to move them simultaneously by hand into a Mu-Tron Bi-Phase processor.
5. Mercury Rev’s Unexpected Cameo
Jonathan Donahue played clarinet on ‘The Private Psychedelic Reel.’ He later credited the Chemical Brothers’ invitation as the lifeline that kept him making music right before Mercury Rev wrote their breakthrough album, Deserter’s Songs.
Niall Byrne is the founder of the most-influential Irish music site Nialler9, where he has been writing about music since 2005. He is the co-host of the Nialler9 Podcast and has written for the Irish Times, Irish Independent, Sunday Times, Totally Dublin, Cara Magazine, Red Bull and more. Niall is a DJ, co-founder of Lumo Club, event curator, Indie Sleaze club promoter, and producer of gigs and monthly listening parties & events in Dublin.
