‘My Ireland’ is a poem by Stephen James Smith (you will know him from ‘Dublin You Are’, at least) commissioned for St. Patrick’s Festival set to visuals by Myles O’Reilly and music by Colm Mac Con Iomaire, Inni-K, Saint Sister, Loah, Ye Vagabonds. It was all produced, recorded and mixed by Conor O’Brien.

It’s a poem about the good, the bad and the ugly of Ireland: Savita, Magdalene laundries, Zig & Zag, Apollo House, thanking bus drivers, notions, Skelligs and Star Wars, Jobsbridge, The Fear, executions at Kilmainham jail, getting the ride in Copper Face Jacks. My Ireland “knows Dunphy is a spoofer”…

Let it wash over you.

Stephen James Smith is among the performers at Young Blood: The Beats and Voices of Our Generation which will also feature Rusangano Family, Emmet Kirwan, Hare Squead and more.


Written & narrated by Stephen James Smith
Filmed & edited by Myles O’Reilly
Produced, recorded & mixed by Conor O’Brien
Violin & bouzouki by Colm Mac Con Iomaire
Backing vocals by Morgan MacIntyre & Gemma Doherty (Saint Sister), Loah & Ye Vagabonds.
Harp by Gemma Doherty (Saint Sister)
Bodhrán by Stephen James Smith
Closing song Guí by Eithne Ní Chatháin (Inni-K)

Posted on February 15th, 2017


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Rhob Cunningham is a singer-songwriter who’s been around the Dublin scene for years, having released a band-oriented album under the name Our Little Secrets and played with a host of Irish musicians’ bands and as support act.

For his new track ‘The Head Collector’, Cunningham, who moved to Berlin this summer, has come up with an 11-minute story born out of the artist and his friend, pushing him to do better, to say more. So he wrote a 1000-word 10-verse story in song without a chorus, in parts, that tell of a titular character’s encounter with a “brittle monster” inspired according to Eoghan, by a trip to Glendalough and a skull seen there.

Cunningham roped in his friends Villagers’ Conor O’Brien and Cathy Davey on the track, the former produced it and the latter plays the role of the goddess of the lake. It moves in sections, from a wandering, traipsing organ and guitar to piano chords to a bluesy stomper to riffed-country-rock.

Stylistically, Cunningham does veer too close to the enunciation of O’Brien in voice during the 11 minutes. It doesn’t void the considerable creative effort he put into the song, nay story. Read the lyrics and buy the song for €3 at Bandcamp.

See also, his Canoe Concert:

Posted on July 31st, 2014

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