It was 2011, when Leslie Feist released Metals and 2007 when her breakthrough record The Reminder was released to the world, 13 since her debut Let It Die.
Today we have news of a new Feist album, Pleasure, and it’s first single, out April 28th via Polydor Records.
According to the press release, her first album in six years “reflects on secrets and shame, loneliness and tenderness, care and fatigue and is at its core a study on self-awareness”.
It was recorded over three months in Stinson Beach, Upstate New York, and Pari, Pleasure was co-produced by Feist and her longtime collaborators Renaud Letang and Mocky. “The album threads her shape-shifting and often haunting vocals into sparse and raw arrangements.”
‘Pleasure’ is a sparse howl with growling guitars and space. It’s reminiscent of PJ Harvey’s early work.
2. I Wish I Didn’t Miss You
3. Get Not High, Get Not Low
4. Lost Dreams
5. Any Party
6. A Man Is Not His Song
7. The Wind
9. Baby Be Simple
10. I‘m Not Running Away
11. Young Up
Oh just Broken Social Scene back together, with Feist, to play ‘Almost Crimes’ and ‘7/4 Shoreline’ live on Jimmy Fallon. Just two of my favourite songs, no big deal. The reason for the break from the band’s hiatus is Arts & Crafts Records’ 10th anniversary bash called the Field Trip festival which will be celebrated on Saturday in Toronto and a compilation of A&C artists collaborating on a song each so there’s Chilly Gonzales x Stars, Amy Millan x Dan Mangan, Broken Social Scene x Years and more. Listen to the comp X below.
After some teasing short videos, Feist finally reveals the first song from her new album Metals out in October. ‘How Come You Never Go There’ is a pretty and gentle re-introduction to Leslie Feist’s golden voice.
Feist releases a new album called Metals, her first in four years on September 30th (October 3rd UK / 4th US) . The 12-track album judging by the teasers and reports will feature collaborations with Chilly Gonzales, Mocky and Valgeir Sigurðsson.
Aoife McElwain chatted to musical genius and entertainer (his words) earlier this week ahead of his Dublin solo piano talk show in The Sugar Club this Saturday (Tickets are €19.85 plus fees). Canadian-born Chilly has just released his career best album Ivory Tower which has a companion film of the same name currently showcasing in major cities. You may recognise his ‘Never Stop’ song in the latest Apple ad and noticed his crazy rapping on single ‘I Am Europe’ which slams together mutually exclusive ideals – sample line: ” I’m socialist lingerie, I’m diplomatic techno / I’m gay pastry and racist cappuccino”. Chilly now based in Paris, talked to Aoife about his collaborators including Feist and Tiga, going independent, the film, his epic piano battle with Andrew W.K. and why’s he’s a loudmouth entertainer and not an artist. But first, we need to know.. what exactly is a racist cappucino..
How exactly, would you define a racist cappuccino and if it was the only thing available to you in the morning, would you still drink it?
Well, a racist cappuccino is not necessarily a complaint. I say “I Am Europe” because I really feel like I have a lot of those qualities I’m describing, both bad and good. Europe is fascinated by places like Europe and America. America is like the new world and Africa is the old world. Everybody is fascinated by other races and other cultures. In Europe, they are really trying hard to keep their old values and they realise it’s not the same place it was a 100 years ago. It’s actually a better place. I moved to Europe in ’98. I went to Germany. My parents had to leave Europe because of the Germans in the ’30s. So I think I’m a product of the European experiment working. The fact that I could go back to Berlin in ’98 that fast and use the fact of being a Jewish American rapper in Berlin to my advantage in a media sense. It’s a beautiful thing. I’m a strange product of America and Europe. I have a European skillset and an American attitude. Old school aristocratic skills: arranging music and the technique of music but I have a totally capitalistic attitude compared to most Europeans which allows me to write songs like “I Am Europe” but also get away with it. So that’s what a racist cappuccino is. (more…)
A look at Jamie in the studio working on his new album Compass. Appearances from Beck, Feist, James Gadson, Nikki Costa, Chris Taylor of Grizzly Bear plus a preview of the new tunes. Maybe, Jamie has finally found a way to marry his disparate eclectic styles: “I can rightfully hold a compass and feel like I’m not lost. I’m going where I want to go.”
I wasn’t too fond of the title track (below) but I’ve hopes for this one all the same. (more…)
I’m giddy like a Japanese schoolgirl about the imminent return of Broken Social Scene. A new as yet untitled album is due on May 1st on City Slang / Co-Op and they’ll be playing SXSW next month which I hope to catch. I’ve fond memories of all their Dublin shows particularly the Temple Bar Music Centre gig in 2006 and their two albums You Forgot in In People and Broken Social Scene are amongst my favourite albums ever. ‘7/4 (Shoreline)’ is one of my favourite tunes ever too.
The new album was produced by Tortoise’s John McEntire mainly in Toronto and Chicago and features the usual guests Feist, Amy Millan, Emily Haines, Jason Collett and loads more. The core group is now Kevin Drew, Brendan Canning, Justin Peroff, Charles Spearin, Andrew Whiteman, Sam Goldberg and Lisa Lobsinger. That’s four guitarists, a bassist a drummer and three vocalists. You can read more about the new album in a Kevin Drew interview with Pitchfork.