If you’ve been following Ruairi Lynch’s productions as Bantum in the last few years you…
From The Haunted Man, Bat For Lashes‘ new album out next week, we’ve already heard…
This one’s for dancing. Proving that Jessie Ware is at her best when remixed (see…
If FaltyDL’s soulful jazz garage cut ‘Straight & Arrow’ wasn’t impressive enough, Four Tet bends…
Cillian Waters is the latest newest name in Irish electronica to impress me. Cillo’s ‘When…
Shot from the POV of the main character and a friend, Kool Thing’s one-take music…
Albums of interest to stream this week: Recommended: Adrian Crowley – I See Three Birds…
Last year’s Slaughtered mix and this year’s Air France remix convinced me that what I…
Chris Ward’s debut album as Tropics, Parodia Flare was full of lush and washy electronic…
Goodtime’s excellent The Colours Of Darkness album has spawned another video for one of my…
From the solo-now-band project of Conor Deasy (also of The Ghandis), this is a sweet…
After the lead track from Belfast’s Yes Cadets‘ Le Mans EP, here’s the second video…
Side A of the new 12″ from Dublin’s Thread Pulls is a richly percussive and…
The top 20 tracks that made my month in September, whether they were posted on…
When not providing robot rock riffs for Adebisi Shank or forming the backbone of No…
It’s only been a matter of weeks since I digested Why?’s Sod In The Seed…
I can’t stop listening to Shields (my review) and ‘Yet Again’ has become my most-played…
In a move that might surprise no-one, Death Grips just released their second album of…
Every Friday, four new music picks from music blogs worldwide are published as part of…
I caught Wonder Villains far away from our respective hometowns in Austin at SXSW this…