Part one of our best songs of 2021 posts. The 50 to 1 list, with the Spotify playlist, will be out tomorrow, and next week, there’ll be best Irish songs and best albums.
New Jersey artist Audrey Nuna came to my attention with the 2020 banger ‘Damn Right’, and earlier this year, she dropped her debut mixtape A Liquid Breakfast and the snakey industrial beat of ‘Cool Kids’ is among the most edifying.
Industry (Red Light-Out of Sight Italo mix)
I can’t wait for season two of Industry. Investment banking! Who knew! This is like a warped take on New Order’s ‘Temptation’, and that is great. There’s a green Breaks mix too. It was a tossed coin as to which one was included.
Polo & Pan, Channel Tres
France meets the US. Atmospheric dance is Channel Tres’ M.O. and on ‘Tunnel’ he pairs up with French dance duo for his moody vocals over their tension-filled electronic rhythms.
A psychedelic groove from the Bristol band’s second album Visions of Light.
Earl goes off on a trippy refracted beat from Detroit producer Black Noi$e.
Berlin house producer Cynthie dropped this bicep-pumping orchestral dance track. Gerd Janson amps up the atmosphere on the remix too. Bandcamp.
The Pakistan-born, New York musicianArooj Aftab’s album Vulture Prince is one of the year’s finest and this is a brittle and beautiful folk traditional song.
Vulture Prince takes inspiration in Arabic poetry known as ghazals, which often express love in the face of grief or pain.
Aftab’s younger brother had passed away prior to the album, prompting the reach for ancient texts, and the album wraps those sentiments up in free-forming folk and jazz textures with harp, viola, cello, double bass, synth and minimal percussion lending the album an expansive air and a deep spiritual resonance beyond the tactile act of plucking strings.
Cardi’s only solo single this year was an UP-lifting earworm.
Love and Hate In A Different Time
Jacob Lusk’s delicate gospel and blues falsetto is at the centre of the Gabriels LA trio’s retro soul music.
John Francis Flynn
The Dublin folk singer’s debut album was our second favourite Irish LP of the year.
The Toronto-based London-born artist Rochelle Jordan brings the R&B club vibes on her on a song of affirmation.
“I wrote it in 2017, a time where I had an intense epiphany about life. I started to become much more spiritually aware than I have ever been before. All the repetition in this song is my way of being able to meditate on these words of encouragement and confidence, affirm and push through. Talking my shit in the first verse, to speaking and encouraging whoever is listening in the second, I just wanted this song to seep into the veins of whoever needs to be lifted.”
Anz, George Reilly
You Could Be
This tune slaps in a Night Slugs meets pop in 2012 way. It’s from Anz’ 2021 EP All Hours on Ninja Tune.
U Already Know
‘U Already Know’ was one of my club tracks of the summer of no gigs. 🙁
Emma Kirby is a London- based DL/producer, boss of the label femme culture and artist Elkka whose ‘Burnt Orange’ tune fits right into the warm electronic stylings of Technicolour, the second Ninja Tune imprint.
‘Two Face’ opens up with a looping piano part that sounds like a Kate Bush track but the Brooklyn musician Taja Cheek aka L’Rain unfurls it into a jazzier more psychedelic arrangement.
Tin Tun Up Part II
Montreal and London connect on a track that buries itself deep with jazzy, R&B and rap touchstones.
‘Impasto’ is an evocative and sumptuous instrumental from the Swedish composer.
Jessie Ware kept back a banger for the deluxe version of last year’s What’s Your Pleasure?. album. ‘Please’ is a throwback soft soulful gospel-leaning disco track you could imagine George Michael singing. Production is by Simian Mobile Disco’s James Ford.
Chris Davids, One half of Maribou State,. released an album as Shire T in August called Tomorrow’s People. ‘Blue Kiss’ is a big acid break banger from it.
Make It Stay (feat. Dena)
German DJ/producer Lauer is a man who makes bouncy electronic bangers and enlisting Dena was a great shout here.
I’m feeling like the sun on my face now
Like on a hot summer day now
Love don’t always have to go away
Can we make, can we make it stay?