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The 100 best songs of 2023

The 100 best songs of 2023

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Best songs 2023

Best of 2023 | Best albums | Best songs | Irish albums | Best Of Podcasts | Guest lists |



My 100 favourite songs of the year, in one place, with playlist below…


100.

White Denim

Bounce Back

Dip into the work of Texas rock band White Denim any time or year and you’ll hear some fine retro classic rock stylings to love. Like this new one which sounds like Steely Dan, so you know, I’m a fan.

The album the song features on – Relaxed – was due to be released in 2021 but wasn’t at the time. It’s on streaming now.

99.

Sweeping Promises

You Shatter

Sweeping Promises are the Kansas duo of Lira Mondal and Caufield Schnug, who released their second album Good Living Is Coming For You on Sub Pop in June.

The band make 80s-indebted new-wave post-punk with a lo-fi tone that sounds like it’s playing off a cassette at times and it’s a lot of fun, as heard on ‘You Shatter’.


98.

Squid

Undergrowth

Squid are one of the more interesting of the English batch of wiry post-punk bands, and recent album O Monolith showcases a band colouring outside those lines.

97.

Lisa O’Neill

Old Note

The Cavan singer-songwriter Lisa O’Neill’s‘Old Note’ from the 2023 album All Of This Is Chance is an orchestral swirling song, featuring Colm Mac Con Iomaire on accompaniment. The song is inspired by traditional musician Tony McMahon, and is described as a sad lullaby, and is an exaltation of nature.

“Feathered friend, dig up and resurrect me, I long to live among the song of birdies, A lawless league of lonesome, lonesome beauty, Skies and skies and skies above duty.”

96.

Two Shell

Love Him

Stay weird Two Shell.

95.

baby___asl

Hostile City

The sparse opening track from Londoner baby___asl’s Snakeskin EP, ‘Hostile City’ immediately recalls and channels the alternative electronic vocal vibe of Tirzah, and that’s a great thing, that’s hard to replicate through inspiration, and make your own.

The EP is on a label more known for drill – AP Life (ran by Bok Bok, a sister label of Night Slugs), so this is a curveball all round.

94.

L’Rain

New Year’s UnResolution

Brooklyn experimental genre-fluid artist Taja Cheek aka L’Rain’s third album I Killed Your Dog features this closing track.

The record, which thematically “considers what it means to hurt the people you love the most,” or an “anti-break-up” album.

93.

Queens Of The Stone Age

Paper Machete

Josh Homme’s Queens Of The Stone Age has had a mini-renaissance since the release of eighth studio album In Times New Roman…, for my money, the band’s best record in ten years.

‘Paper Machete’ recalls early Kyuss and Homme’s penchant for writing ballasted rock’n’roll bluesy songs.

92.

Natalia Beylis

Afloat In Fog And Feathers

The Irish musician and sonic artist Natalia Beylis released Mermaids on September 1st, an album inspired by a CRB Elettronica Ancona keyboard salvaged from a Leitrim recycling centre and an old family photo of her mother and two friends (which is also the cover for the record and informs the title).

‘Afloat In Fog And Feathers’ is the record’s opening gambit, a transportative slow dive into a subaquatic ambient world, rich with detail and tone.

“The sounds that come from her when I play always move me like water; swimming in rivers and floating in the murk beneath the surface,” Natalia said.

91.

Peggy Gou

(It Goes Like) Nanana

The South-Korean DJ and producer’s ‘(It Goes Like) Nanana’ was the first to be released on XL Recordings, and there’s a big ATB ‘Til I Come’ Balearic sunkissed-vibes to the track with the bendy synth throughout the piano-house and Peggy’s own vocal song. It features on a forthcoming debut album.

It is “inspired by the eclectic house and pop classics that defined the Balearic sound, alongside 90s and 2000s dance anthems and Peggy’s own contemporary club production.”

90.

Water From Your Eyes

Out Here

The Brooklyn duo of Rachel Brown and Nate Amos debut album on Matador Records is fizzing with experimental sonic fun, and is one of our albums of the year.

The band reminds me of Jockstrap, in terms of how it fizzes with an eclecticism, it’s not guitar music, not post-punk, not electronic music necessarily, but it could be filed alongside Dan Deacon and Gang Gang Dance.

‘Out There’ is an album highlight – erratic and polychromatic – lead by sonics and sounds rather than traditional song structure.

89.

Mac DeMarco

Proud True Toyota

Mac Demarco released an 199-track album One Wayne G which features chronological songs Mac worked on from 2018 to 2023, and follows the instrumental album Five Easy Hot Dogs in January. While it’s nine and a half hours of music, there are ones with vocals, like ‘Proud True Toyota’, which is a thoroughly pleasant and very Mac DeMarco song.

88.

Mandy, Indiana

Drag [Crashed}

Manchester band Mandy, Indiana came through with one of May’s most intriguing albums, with I’ve seen a way.

The experimental noise quartet’s music is a reminiscent of the band Health, in that it’s music played by a rock band which often sounds nothing like it.

“We wanted to alter textures, create clashes, and craft those moments when what you’re expecting to happen never comes,” said producer/guitarist Scott Fair.

Adding to the discombobulation, is Valentine Caulfield’s French language vocals, whispered, growling, seeking and on ‘Drag [Crashed]’, addressing a lifetime of misogyny.

“‘Drag [Crashed]’ is a collection of things that were said to me or about me because I’m a woman. From middle-aged men saying I would ‘pop some fly buttons’ to my dad and that he would need a gun to fend off the boys when I was a literal toddler, to educators telling me my shoulders would ‘distract the boys’ and I therefore needed to cover myself, and romantic partners trying to control my body, ‘Drag’ is a personal exploration of what it means growing up a girl.”

Valentine Caulfield

87.

Gurriers

Sign Of The Times

The Dublin punk band Gurriers’ second single shares a title only with Prince and Harry Styles if nothing else, the tune is a wiry punk track with rolling guitar and bass riffs and marquee vocals from Dan Hoff.

“’Sign of the Times’ examines the human obsession with violence, and how we have all become desensitised to the horrors we witness online through the growth of social media.”

86.

Future Islands

The Tower

Classic Future Islands vibes  to coincide with the announcement of a new album People Who Aren’t There Anymore.

85.

Pretty Girl

I Could (Look Inside Mix)

Melbourne producer Emilia Predebon’s aka Pretty Girl put out this dreamy pop track in April on Steel City Dance Discs. There’s a clubby version too.

84.

Quantic

Stand Up

New York-based musician Will Holland aka Quantic’s ‘Stand Up’ an encouraging anthem drawn from disco, gospel, soul and jazz music.

“‘Stand Up speaks to the everyday person, the everyday struggles for everyday people. It is celebratory but at the same time about pushing forward, standing strong in what you believe in and creating power through love and dedication.”

83.

Peter Gabriel

Road to Joy (Dark-Side Mix)

I went to see Peter Gabriel live in the 3Arena in June, and it cemented my respect and love for an artist still striving and creating interesting work into his seventies.

‘Road To Joy’ is a case in point, a brand new song to feature on his forthcoming i/o album, which was released in two slightly different mixes – ‘Bright Side’ and ‘Dark Side’.

It’s a brilliant track, just one of a good few released from the album that match it for quality, that bridges his experimental side with his pop sensibility through its big singalong chorus.

‘Road to Joy’ is from the record I/O which was released in December, and was produced by Peter Gabriel and Brian Eno, and features the Soweto Gospel Choir.

82.

Octo Octa

Late Nite Love

Producer Maya Bouldry-Morrison aka Octo Octa’s latest EP Dreams of a Dancefloor holds the a bleeping tension from the off with the opening track ‘Late Night Love’ designed to bring a dancefloor together under a trance house 12 minute sojourn.

81.

Kneecap

It’s Been Ages

Distilling what makes the Belfast rappers Kneecap so good at what they do, Mo Chara and Móglaí Bap move effortlessly between Gaeilge and English referencing generating controversy and humour, on ‘It’s Been Ages’ featuring a simple piano rap instrumental from Willhouse.

The Irish language raps slap hard.

80.

Benny Sings

Young Hearts (feat. Remi Wolf)

A sweet melodic synth-funk ditty from Stones Throw-signed Dutch artist Benny Sings, from the album of the same name, his eighth, this time with producer Kenny Beats on the boards.

79.

Sarah Crean

Wasted Youth

Dublin singer-songwriter Sarah Crean has made some impressive strides since last year’s ‘2:00am’, which after we featured it went big on the US Spotify viral chart garnering over 4 million listens.

‘Wasted Youth’ is a highlight on the recent Death By Laundry EP released on AWAL, along with recent single ‘What Do I Know?’, and ‘The Subtle Art of Past’.

“Wasted Youth is very much an ode to the ups and downs of my childhood/teen years. The song itself goes back and forth between acceptance and rejection of the fact while processing as the song progresses – almost like I’m trying to reach out to my younger self from my current state as an adult. I myself have (and always have had) a hard time forgiving people and letting things go and this song feels like an accurate representation of the fact that sometimes I’m ok with things from my past, other times I’m not.”

78.

Nailah Hunter

Finding Mirrors


Los Angeles-based harpist and composer Nailah Hunter has signed to to Fat Possum, and introduced her new album Lovegaze with this gorgeous alternative R&B pop song.

It’s stilll got elements of Hunter’s ambient and folk sound from before, but will in focus elements contributing alongside for more immediate songwriting.

“This song began with a bass line, which is not usually how I approach writing. Of all the tracks on the record, it is the most purposeful departure from the comfort I found in making ambient music in the past. Letting the song exist in the form that it came to me was a healing reminder that I can make anything I want to. The song is about seeing yourself without warning.”

Lovegaze is out out January 12, 2024 on Fat Possum Records

77.

King Krule

Pink Shell

I don’t think Space Heavy, the fourth album from King Krule is any form of radical of a departure for the record from Archy Marshall but it is his best for a good while.

Marshall recently became a father four years ago and a lot of these songs were dreamt up travelling on trains between Peckham and a place Seaforth, (which is a song on the record but also, the name of a seaside town outside of Liverpool) where city where Marshall has been living part time for the past two years.

Where most of the songs have a pensive daydreamy quality to the songs, there are blasts of the post punk energy he has shown before with ‘Pink Shell’ and ‘Hamburgerphobia’.

76.

FIZZ

Close One

Fizz are the new band made up of friends Orla Gartland, dodie, Greta Isaac and Martin Luke Brown

‘Close One’ is a markedly emotionally-driven song than the band’s main melodic psych pop music. Orla Gartland takes lead vocal on a song looking back at a past relationship.

75.

Jorja Smith

Little Things (Nia Archives remix)

Big garage beats, Crystal Waters and Jorja Smith’s voice? A great match.

74.

Feist

Hiding Out In The Open

It was seeing Feist’s surprisingly calculated and artful Multitudes show in the National Stadium in Dublin earlier this year, that elevated this song to the end of year list.

73.

Nuovo Testamento

Heat

Modern Italo heat. 🔥

72.

Cartin

Smasha

Derry producer Cartin’s latest tune ‘Smasha’ barges in with a rush of euphoria and a Lone-esque synth build. A big fizzy tune for the dancefloors that writes “OOF” in big capital letters as it goes.

71.

Lil Yachty, J. Cole

The Secret Recipe

It’s a long time since a 14-year-old Lil Yachty was blasting J Cole on the internet, and here they are offering up one of the best rap songs of the year together.

70.

Róisín Murphy

CooCool

All that Róisín Murphy unpleasant business a few months ago (and its accompanying toxic internet discourse), overshadowed the release of what should have been a crowning achievement of an album with DJ Koze.

‘CooCool’ was the album’s first single, a melting kaleidoscopic electronic soul track with a warming emotional effect, that I personally haven’t really been able to return to since, but deserved a nod on its own merit.

69.

Julie Byrne

Summer Glass

‘Summer Glass’ is a lush light-filled ballad built on an arpeggio, harp, strings and specific memories flooding back from the Buffalo singer-songwriter’s album The Greater Wings.


68.

John Francis Flynn

The Lag Song

‘The Lag Song’ is a song written by folk singer Ewan MacColl and performed by Luke Kelly and The Dubliners, and as the penultimate song on Dublin folkie Flynn, it is the penultimate song on the album Look Over the Wall, See the Sky.

The album marks a shift from his 2021 debut I Would Not Live Always, in that it takes recognisable trad and folk songs like ‘The Zoological Gardens’ and ‘Mile In The Ground’ and wraps them with an experimental cloth, a trick beautifully repeated on ‘The Lag Song’ as banjo and Flynn’s higher register lead the way over a dip into creaking stringed instrumentation.

67.

Ice Spice

Princess Diana

Ice Spice went from zero to superstar in a matter of months, but that early EP still slaps.

66.

Julio Bashmore

Bubblin’

For his first tune in eight years, Julio Bashmore brings a discombobulating repeating sample (that to these ears sound like Rosalia’s ‘A Pale’) and work it into some acidy bloodied guts.

65.

H31R, Quelle Chris

Down Down BB

Wavey alt-hip-hop with a similar vibe to Shabazz Palaces from H31R (pronounced heir / air), who are the duo of New Jersey producer JWords and rapper maassai. This featured on the Big Dad released album Headspace.

64.

ØXN

Farmer In The City

Whereas the pre-release singles from the Dublin doom folk band of ØXN featured more of the sound of member Radie Peat’s other band Lankum, ‘Farmer In The City’ from the album CYRM, takes it queue from Katie Kim’s atmospheric songwriting, and across nearly 13 minutes brings the synthy sound of Samhain noise-rock magic to proceedings.

More from ØXN.

 

63.

Barry Can’t Swim

Sunsleeper

The Scottish producer’s emotionally-driven electronic music, with touches of jazz and global sounds, is at its best here on his big debut album floorfiller ‘Sunsleeper’.

62.

Skrillex

Leave Me Like This

Amidst all the handwringing and discourse about Skrillex’s return and his relationship with Four Tet, it’s easy to ignore that he’s released some good music on his more dance-focused album of the two this year, Quest For Fire, that supersedes much of the criticism from gatekeepers. The Skrillex of old popularised EDM sure, and lead to a whole raft of annoying dumbstep and bad music. The 2022 version of Skrillex is now an extremely capable electronic producer, and making some incredibly fun music that if anyone else was making, there wouldn’t be so much of a backlash.

61.

Kelela

Happy Ending

Kelela continued to forge her own path in alternative avant R&B with heart on her 2023 album Raven. ‘Happy Ending’ is on the clubbier end of the singer’s vibe with LSDXOXO breakbeats and one of the best voices in modern music gliding atop the track.

60.

Jessie Ware

Freak Me Now

French Touch and Jessie Ware’s disco vibe sniffed some poppers and are going off in the club. From the discotastic fifth studio album from Ware – That! Feels Good!

59.

James Blake

Big Hammer

Wonky beat of the year.


58.

Heartworms

May I Comply?

London artist Jojo Orme aka Heartworms came through with post-punk theatricality on the spiky ‘May I Comply’ on Speedy Wunderground.

“When I wrote this track I just wanted to get over an ex and to tell my little brother he’s good enough… turned out to be a lot darker than I thought.”

57.

Floating Points

Birth4000

Sam Sheperd is in fully-fledged dancefloor ripper mode on his only single of 2023. Oof.

It follows recent singles from 2022 – ‘Vocoder‘  ‘Grammar’  and ‘Problems’ which are similarly dancefloor-facing.

 

56.

Eyes Of Others

One, Twice, Thrice

Eyes Of Others is the work of Edinburgh producer John Bryden, and his album One, Twice, Thrice was released on Heavenly Recordings.

It’s 80s /90s outsider forgotten music vibe drew me in, with sounds of dub, baggy and electronic music of bygone eras. Introspective club music or ““Post-pub couldn’t get in the club music,” is how Bryden presents it.

“I was thinking where’s my spot?” Bryden says. “The music is later than a gig but it’s not full-on early morning club fare. It’s the in-between space where I was imagining where my music works.” 

55.

Glasser

Vine

‘Vine’, from Glasser’s album Crux unfurls with experimental production, strings and Mesirow’s soaring voice. It’s usually a glib comparison but it sounds analogous to Bjork’s recent work, with an easier accessibility – that is to say, it’s not predictably drawn, jazzy and skittering in tone and also rather beautiful.

“‘Vine’ was written a long time ago. It was like an attempt at making something where all the parts sound like they’re very separated. I was thinking like jazz, actually. It was about getting back to writing music after feeling a bit disconnected from the machinery around making it your profession”.

54.

Danny Brown

Tantor

The Detroit rapper and now, podcast host Danny Brown seventh studio album Quaranta was released in November, and most of it sounds nothing like this.

The Alchemist-produced ‘Tantor’ is among his finest work, a weird psychedelic rock-infused blast.

53.

Django Django, Yuuko

Don’t Touch That Dial (Earthworks Acid Hip-House Remix)

Django Django’s 2023 album Off Planet arrived in four parts throughout the year and features some highlight collaborations with Self Esteem, Jack Peñate and Stealing Sheep.

Django Django co-founder and producer Dave Maclean said the album’s open construction was “a way to go beyond”, to bring new voices, new rhythms, new experimentation into play.

I absolutely loved the Yuuko-featuring ‘Don’t Touch That Dial’ but the Earthworks Acid Hip-House remix is one I found myself gravitating towards.

52.

Faye Webster

But Not Kiss

I loved the Atlanta artist Faye Webster’s Car Therapy Sessions orchestral versions EP, and ‘But Not Kiss’ teases a followup, a song that punctures its own intimate tautness with a memorable piano line.

“I think it could be a really romantic song or a really anti-romantic song,” explains Webster. “It’s something I’ve looked for but struggled to find in other love songs, for them to describe this conflict or contradiction.”

The video was filed at the Bob Baker Marionette Theatre in LA.

51.

Lean Sen

Dragonfly

23-year-old London-based French, guitarist, singer-songwriter, producer and mixer Léa Sen’s music features whispery atmosphere-filled production that seeps under the skin.

50.

English Teacher

Nearly Daffodils

My dog passed away last year. Her name was Daffodil and she rocked. I already loved UK art rock band English Teacher a lot this year, but that’s an extra personal serendipity tick for me to love them a bit more.

“It’s a song about heartbreak and acceptance of unfulfilled potential. How, no matter how much you may want something, no matter how much effort you may put into something’s growth or development, no matter how beautiful you can envision its fruition; life is a bitch and about as unstoppable as a freight train.”

49.

Casisdead, Desire

Venom

After ‘Matte Grey Wrap’, Desire and Casisdead team up on a cinematic highlight from the Casisdead debut record FAMOUS LAST WORDS.

‘Ye Spooky, ye spooky’ has been my mantra from this song.

FAMOUS LAST WORDS is London-based rapper, producer and director’s debut album on Warp Records, “as much a sci-fi film as it is a rap record, a labyrinth of vice, crime and faded glamour.” 

48.

Five to Two, JarJarJr.

Song 50,000

Five To Two are the Irish jazz trio of Matthew Breen, Jonah Byrne and Finn Mac Anna.

‘Song 50,000’ with debut rap vocals from Cork producer jarjarjr, leaves a fine jazz / hip-hop vibe in its wake. It came out of an improv session, and features on the band’s second album Talk Soon.

47.

Everything But The Girl

Nothing Left To Lose

Tracey Thorn and Ben Watt returned as Everything But The Girl after 24 years away, and it’s astonishing how readily they slot right back into the music landscape after hearing ‘Nothing Left To Lose’.

A song which makes some concession to the last 30 years of innovation and trends in dance music, also is analogous to the sound of Bicep, with its crystalline dance production, open-air feel, and sub-bass frequencies that nod to drum and bass and techno without losing their own identity.

And then there’s the voice of Thorn, who like on 1994’s ‘Missing’, the band’s ’80s and ’90s catalogue and subsequent work with Massive Attack, has always had her own identifiable vocal style.

46.

DJ Seinfeld & Confidence Man

Now U Do 

Confidence Man continued their collab series after a track with Daniel Avery with this bouncy rave hookup with DJ Seinfeld from their new era.

45.

Baby Keem and Kendrick Lamar

The Hillbillies

The PgLang touring family cousins dropped a wavey rap loosey this year, and the video features the pair rapping to the song in Stephen’s Green Shopping Centre of all places.

44.

Earl Sweatshirt, The Alchemist

Heat Check

The Voir Dire album is one of the best of the year and this is a highlight on the collaborative album, with a beat that sounds like something MF DOOM would absolutely slay.

43.

Blawan

Toast

Blawan has dipped his sound into wonky electronic atmospherics of late away from techno dancefloors, creating tracks that sound like no one else, as heard on the Woke Up Right Handed EP on XL in 2021.

Dismantled Into Juice is another five-tracker on the label (out May 17th) from Jamie Roberts and ‘Toast’ continues those forays into discombobulating sound designed-jams.

42.

Bricknasty

ducks ina row

The Dublin band Bricknasty’s ‘ducks ina row’ is indicative of the band’s melding styles folding in on each other on record, which is more explosive live, as seen at The Great Escape.

For further background into the band, read Fatboy’s Instagram post about growing up in the Ballymun Flats for context for the EP.

41.

Sufjan Stevens

A Running Start

Sufjan’s solo album Javelin features a clutch of songs that return to his most loved sound – the richly arranged and acoustic music of 2005’s Illinois, as heard on this album highlight ‘A Running Start’, that moves from gentle guitar to full-throated soar.

Sufjan has just been discharged from hospital and is learning to walk again after contracting Guillain-Barré syndrome. He also dedicated the album to his late partner.

40.

Jessy Lanza

Don’t Leave Me Now

Canadian electronic producer and singer Jessy Lanza recently moved to LA and the experience of almost being hit by a car was the inspiration for this song. The experience triggered Agoraphobia (the fear of being in situations where escape might be difficult or that help wouldn’t be available if things go wrong) which she hasn’t experienced since she was small.

The song acted as an act of catharsis.

Additional production is by Pearson Sound and it was mixed by David Wrench.

39.

Sofia Kourtesis

Vajkoczy

There’s an interesting backstory to the Berlin-based Peruvian DJ and producer’s debut album Madres, and it involves the titular neurosurgeon Peter Vajkoczy, who the album is dedicated to, after he successfully operated on her mother.

Vajkoczy became a sounding board for the album, and the pair even went to Berghain together.

38.

Youth Lagoon

Idaho Alien

Trevor Powers releaseed his first Youth Lagoon album since and disbanding the project after 2015’s third record Savage Hills Ballroom with Heaven Is a Junkyard this past June.

A lot has happened since.

A reaction to an over-the-counter medication in October 2021 left Powers dealing with “a non-stop geyser of acid,” coating his larynx and vocal cords for eight months. He saw seven doctors and multiple specialists, lost over 30 pounds and by Christmas that year, could no longer speak, instead texting and using pen and paper to communicate.

2023 saw Powers return to Youth Lagoon after his voice came back and gave him a different clarity, enabling him to write about his Idaho surroundings.

“Family, neighbors, and grim reapers, he says. “I’ve always written about far away things, but the best material has been right in front of me this whole time in Idaho.”

37.

Turnstile, BadBadNotGood, Blood Orange

Alien Love Call

From a surprise three-track EP release featuring Canadian instrumentalists reimagining Turnstile’s visceral American punk as heard on 2021’s Glow On.

All three work well, but my favourite arrives 2 minutes 20 in on the video above.

36.

Fever Ray

Kandy

Fever Ray’s album Radical Romantics was a return to form, and ‘Kandy’ features the Swedish artist’s trademark steel pan and synths backing alongside brother Olof Dreijer on vocals, so basically it’s a new song from The Knife.

35.

billy woods & Kenny Segal, Samuel Herring

Facetime

A stand out from raooer Billy Woods and producer Kenny Segal on a geographical tour of duty album Maps, featuring Samuel T. Herring of Future Islands on the lush chorus.

Herring has form in the collab (with the likes of BadBadNotGood) and rap stakes (as Hemlock Ernst).

Of the song Herring says: “It was late summer 2022 and most days I was stuck in my hotel room wondering what was happening with my life…. All of that being on the road and living remotely, feeling alienated, alone, missing people back home, but also feeling at home living that way – I understood it deeply…. That song is my life and I was living in it.”

34.

Benefits

Warhorse

Benefits’ songs are agit pop music, informed by Brexit, and the divisive nature of modern Britain. About ‘Warhorse’ , Hall says:

Teesside noise rock spoken word punk band Benefits make agit pop music, informed by Brexit, and the divisive nature of modern Britain.

‘Warhorse’ is from the band’s debut album NAILS, and leads with Kingsley Hall’s righteous, and right-on vocals.

“At some point if the boot continues to stamp on us, we’re going to react. Things bug me. They start as little irks and become fiercer. It can take days, sometimes minutes. The phrase “cost of living” being blurted out by an MP when confronted with the poverty of their constituents. Simpering and grovelling to decrepit hierarchical systems. Pageantry and pomp in a time of austerity and cuts. ‘Warhorse’ is a battle. It’s about being tired of being told there’s no options left – being told to bow and courtesy and to shut your face. ‘Warhorse’ is about the need to push that boot back from our faces, raise our heads, stand up and fight.”

33.

Aluna, Tchami, Kareen Lomax

Running Blind

One of my personal contenders for song of the summe 2023 was from Aluna’s solo album MYCELiUM.

‘Running Blind’ is effervescent electronic pop with a thudding piano-house beat, just good vibes only.

32.

Aphex Twin

Blackbox Life Recorder 21f

Aphex Twin’s ‘Blackbox Life Recorder 21f’ is from the legendary electronic artist’s first music in five years; and is proof that Richard D James still has much to offer, in his ability to create a thrilling tesseract of sound.

The song and the three-track EP release it came from prompted a Nialler9 podcast all about his illustrious career.

31.

Jam City, Wet

LLTB

A highlight from Jam City’s long-form mixtape Jam City presents EFM. Alongside the Empress Of collaboration, this Wet-featuring vocal track is a fuzzy-feelings loved-up beauty.

30.

Danny Brown, JPEGMAFIA

Burfict!

JPEGMAFIA and Danny Brown’s collaborative album Scaring The Hoes, is blown out, messy, all over the shop but thoroughly compelling.

It’s erratic, industrial, discombobulating, disorientating and absolutely slaps hard. It’s got a freneticism to it that bursts forth from the speakers, and ‘Burfict!’ is the single track I’d take home from it.

29.

Unknown Mortal Orchestra

The Widow

Fans of Unknown Mortal Orchestra’s lo-fi alt-rock style will love the fifth album V, as it doesn’t really deviated from their established sound, but with new influences informed by time spent in Hawaii, where the largely New Zealand-based musician Ruban Nielson grew up and with Palm Springs, California also a source, there’s a palpable sense of Yacht rock, West Coast AOR and jazz vibes at play for the first times.

Take ‘The Widow’ an instrumental jam that sounds like something from Ill Communication.


28.

boygenius

Satanist

‘Satanist’ feels like a song that Broken Social Scene might have written as a band, and asked Dacus, Bridgers and Baker to jump on with lyrics that draw you in – seeking a like-minded soul. There’s some distant screaming for good measure. There’s some distant screaming for good measure. I love how the song barrels slowly towards an end.

The record is one of the best of the year.

27.

MIKE, Wiki, The Alchemist

Stargate

2023 was a busy time for rap superproducer The Alchemist. A highlight from his Faith Is A Rock album with MIKE and WIKI is all about atmosphere created with chopped-up strings and a beatless production.

26.

Mitski

Bug Like An Angel

‘Bug Like an Angel’ is a stark return brandishing the artist’s trademark intensity, that feels like a suitable introductory track to an album that will feature a 17-piece choir on it, which can be heard here celestially underscoring Mitski’s voice and chugging acoustic guitar.

References for The Land Is Inhospitable and So Are We album include Ennio Morricone’s Spaghetti Western, Carter Burwell’s tundra-filling Fargo soundtrack, Arthur Russell, Scott Walker, Igor Stravinsky, Caetano Veloso and Faron Young.

25.

Kojaque, WIKI

Johnny McEnroe

After the release of the breakthrough mixtape Deli Daydreams and debut album proper Town’s Dead, the Cabra rapper Kojaque came back with the best-featuring Phantom Of The Afters.

Johnny McEnroe‘ featuring NY rapper hero Wiki is Kojaque vibing on a highlight from the record.

“I was in New York in May 2022 on my first US tour, and had been trying to collaborate with Wiki for a while. I was booked in to work with Tony Seltzer the day after my headline show, and right beforehand got a text to say Wiki was going to come through. It was a surreal experience cutting the track with two guys I’ve been a fan of for 8 years. I’ll never forget it.”

24.

Rozi Plain

Agreeing For Two

A highlight from a January album in the form of Rozi Plain’s Prize, a fine collection of English folk music, featuring a gorgeous air of gentleness and artful arrangements, most exemplified for me by the opening song ‘Agreeing For Two’.

23.

Young Marco

What You Say?

In summer 2022, the eclectic Dutch DJ Young Marco returned to Dekmantel for one of his marquee sets on the Boiler Room platform, and the edit of Imogen Heap’s ‘Hide And Seek’ that became the track ID festival hit, and a big takeaway for many.

The edit was officially released on Ministry of Sound in early January, as Young Marco’s ‘Whatcha Say’ on all DSPs and streaming services, including Beatport for the DJ crew.

See full info.

22.

Men I Trust

Ring Of Past

Montreal indie pop trio do soft glow music so well, and ‘Ring Of Past’ is a quietly confident notch in their discography to date.

21.

Joanna Sternberg

People Are Toys To You

Idiosyncratic folk is the order of the day on New York songwriter Joanna Sternberg’s second album I’ve Got Me. Their voice has drawn comparisons to Kimya Dawson, Joanna Newsom, Adrienne Lenker and Daniel Johnson.

The whole LP was on our albums of the year so I’m singling out the charming simplicity of ‘People Are Toys To You.’

20.

Lil Yachty

The Black Seminole

Surprise of the year? Trap pop rapper Lil Yachty made a psychedelic pop-rock album and it’s great. Let’s Start Here has autotune psych / sweet melodies R&B melded with Tame Impala vibes.

‘The Black Seminole’ is the album’s opener, a track clearly inspired by Dark Side Of The Moon, and who saw that coming.

19.

Yaeji

For Granted

New York Seoul artist Yaeji’s ‘For Granted’ is airy smart off-kilter electronic pop music with Yaeji’s singular pop melodies, that rushes to its climax with breakbeats.

18.

Overmono

Good Lies

Norwegian act Smerz provide the Aluna-sounding vocals on ‘Good Lies’, a softer two-step-pop sound for the duo known for big clanking future beats, with euphoria spilling out of its production.

17.

Nabihah Ibqal

This World Couldn’t See Us

A sleeper hit of the year, Nabihah Iqbal’s Dreamer was filled with dreamy shoegaze synth pop full band music like this song, which was my pick-me-up song of the year.

16.

Big Thief

Vampire Empire

Big Thief marked a big US TV performance by playing a new song (which is so Big Thief), and the recording of that song ‘Vampire Empire’ was finally released in July.

‘Vampire Empire’ has had Youtube commenters in a spin since it was first aired (“im on the knees in the middle of walmart please drop this already” / “Literally the best songwriter since Elliott Smith died”), and it’s not had to hear why. This band, and this songwriter Adrianne Lenker are at a pinnacle of musicmaking, with lyrics about the exasperation of loving someone who doesn’t know what they want.

Well, I walked into your dagger for the last time
It’s like trying to start a fire with matches in the snow
Where you can’t seem to hold me, can’t seem to let me go
So I can’t find surrender, and I can’t keep control
You turn me inside out and then you want the outside in
You spin me all around, then you ask me not to spin
You say you want to be alone, and you want children
You wanna be with me, you wanna be with him

Recorded and produced by Dom Monks at Guissona, Spain’s Teatre de cal Eril Studio during a recent tour, the song addresses “the beautiful complexity of gender identity and breaking destructive internal cycles”.

For me, it’s about getting out of toxic internal patterns – leaving the empire of energy drains that obscure pure essence, learning about what healthy boundaries are, and finding the power to implement them for the possibility of giving and receiving (both inwardly and outwardly) unbroken and infinite Love.”

Adrianne Lenker

15.

Lankum

Go Dig My Grave

‘Go Dig My Grave’ is a dark nine-minute old song about a hanging and subsequent grief, inspired by the old Irish practice of keening (caoineadh).

Lankum’s previous album begins with ‘The Wild Rover’, a tense and dark growing thing. False Lankum begins in similarly epic fashion, with ‘Go Dig My Grave’ swelling to a deeper drone, with an intense cinematic vision to match its grief-stricken lyrics, lead by Radie Peat’s magnetising keening vocal performance.

“’Our interpretation of the traditional song ‘Go Dig My Grave’ is one that centres around the emotion of grief – all-consuming, unbearable and absolute. A visceral physical reaction to something that the body and mind are almost incapable of processing. The second part of the song is inspired by the Irish tradition of keening (from the Irish caoineadh) – a traditional form of lament for the deceased. Regarded by some as opening up ‘perilous channels of communication with the dead’, the practice came under severe censure from the catholic church in Ireland from the 17th century on.”

14.

Mustafa

Name Of God

Toronto singer Mustafa Ahmed ruminates on the Islam faith and the death of his brother over the summer on this quietly devastating song from his forthcoming album that has been co-opted as a song for those struggling in Sudan and Palestine.

The song was produced with Simon On The Moon, Aaron Dessner and Rodaidh McDonald.

The artist’s statement accompanying the song:

I never felt like the Nubian prince my father seen in me through his tinted lens. I try their dance, their prayer — I always fall short, & God’s name wasn’t always related to beauty for me, but to hopelessness, this Islam we share and Allah we call for while witnessing a constant violence that continues to bind us, I don’t think I ever felt completely Muslim among other Muslims.

All these sub-beliefs like borders. My aunts in all their wisdom and narrowness-one Sufi spinning into remembrance, one refuting the taking of a photograph.

When my big brother was killed in what will always feel like yesterday, knowing the suspected murderer was someone he held as a friend, someone he prayed with- it led me to believe that maybe his love was his end? Maybe where there is no love, parting from love keeps us alive? Maybe ending in love is the only way to actually begin? I don’t know.

The only clear memory from the days of his death were my parents reciting in unison, “oh Allah, we accept his passing, we accept what you ordained.”

I’m desperate to love God like them.

Our faith and our hearts are too often our demise- I know a field of young niggas dreaming that can testify to this. For better or worse we’ll uncover every bone beneath our hollow laughter, our confused affection; maybe its revealed in our final gasp for meaning.

Until then.

Bismillah, In the Name of God, 10.17.23

13.

The Last Dinner Party

Nothing Matters

London five-piece band The Last Dinner Party released a clutch of great rock-pop songs with influences to ABBA, Sparks and classic rock of ages past.

I could have picked any of their singles this year, but I went with ‘Nothing Else Matters’ because of the aforementioned ABBA feel to its bright melodic pop strengths.

12.

Young Fathers

I Saw

Is there another band who reach the exalted heights of euphoric noise and vented joy more than Scottish trio Young Fathers.

The band do it so often, it’s kind of a spiritual alchemy at play in songs like ‘I Saw’.

11.

Yves Tumor

Lovely Sewer

Sean Bowie aka Yves Tumor’s music has been moving towards a more ambitious sound with every release. The American Turin-based artist’s music has moved more experimental early work to the psychedelic full band music as heard on fifth album Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds).

It’s a sensory rich record I keep returning to since release. The drums stand out for me but all the playing on it feels like pristine proper recorded 21st century rock – detailed and gilded.

‘Lovely Sewer’ is a beautiful example of what the record contains, a soaring full-blooded song with a sumptuous melodic vocal from Yves and Canadian artists K.I.D.

10.

CMAT

California’

Like CMAT’s debut album opener ‘Nashville’, CMAT’s second album Crazy, Mad For Me ‘California’ opens with a song continues the trope of naming her first song from the album about a mythical American place.

Where ‘Nashville’ was an escapist metaphor for ending it all, ‘California’ is CMAT escaping a relationship and its deluded crescendo where CMAT imagines a life story on celluloid as the strings and chorus rise is truly a heavenly music moment of 2023.

California, oh-woah (I’m writing up a book about us)
California, oh-woah (They’re gonna make a movie of it)
California, oh-woah (They’re gonna cast Jake Gyllenhaal)
California, oh-woah (And I’m Kristen Schaal)
California, oh-woah (They’re gonna do it with a Coen brother)
California, oh-woah (Set it in Wicklow with your mother)
California, oh-woah (Oh no, it won a Razzie)
California, oh-woah (It’s all for nothing, should’ve just tried being happy)

I could also have picked ‘Rent’ or ‘Stay For Something’ on this list.

There’s a big Dublin outdoor show to look forward to.

9.

Noname

Namesake

From Sundial, the first album in five years from the Chicago MC Noname, ‘Namesake’ typifies the tougher questioning lyrics and music that features throughout the recommended album.

She’s an artist who isn’t afraid to throw bombs at Jay Z, Rihanna, Kendrick, Beyoncé for playing the Superbowl, referencing the NFL’s ties to the US Military but she’s also not afraid to throw grenades in the mirror at herself (Noname once declared she wouldn’t want to perform in front of a majority white audience but played Coachella this year).

Go, Rihanna, go
Watch the fighter jet fly high
War machine gets glamorized
We play the game to pass the time

Go, Noname, go
Coachella stage got sanitized
I said I wouldn’t perform for them
And somehow I still fell in line

8.

Kwengface x Joy Orbison x Overmono

Freedom 2

UK drill meets UK garage as Kwengface, Joy Orbison and Overmono bring some serious sub-bass heat on ‘Freedom 2’, a newer take on the Zone 2 collective drill rapper’s original that dropped on his mixtape The Memoir.

‘Freedom 2’ has a big classic UK Garage bassline that echoed on repeat all year.

Joy Orbison and Overmono previously collaborated on ‘Blind Date’.

7.

Caroline Polachek

Welcome to My Island

Sure this came out in December 2022, but in the context of the release of her second solo album Desire, I Want To Turn Into You on Valentine’s Day, ‘Welcome To My Island’ is a delightfully weird pop song, a world-building oddity that marks Polachek as an artist willing to go to potentially cheesy places and create grandstanding ’80s-indebted pop with the best of them.

6.

Rachael Lavelle

Big Dreams

Gratitude, ever heard of it?

Big Dreams was one of my favourite albums of 2023, and the title song is Joni Mitchell-esque perfection with one of the best opening lines of a song this year:

“I came for the comedy / I left for the bus / That is nothing new to me / I have a lot of feelings.”

The song features the voice of the Luas announcer Doireann Ní Bhriain “who narrates the inner monologue of the millennial mind; the ever-wondering-ever- doubting, the contradicting and the aspiring” modern mind.

“Big Dreams is an existential ballad; a meditation on love, expectations, failure and the passing of time. When I wrote the melody, it was as if someone was dying. I was thinking about how, when you die, you experience a flashback of your life. That you are flooded with all the memories of love and people who impacted your life. I was inspired by this idea. That despite all the stress and attempts at success, to live is to be open to the possibilities of life and connection.


5.

Tensnake, Jessy Lanza

Keep it Secret

Jessy Lanza in her solo work is able to bring the electronic heat, and has a history of fruitful collaborations of this kind of dance-ilk with the likes of Morgan Geist as The Galleria and Caribou.

‘Keep It Secret’ is a fizzy summer house banger with music by German producer Tensnake, a bright heart-on-sleeve declaration.

4.

Kieran Hebden & William Tyler

Darkness, Darkness

Producer Kieran Hebden (Four Tet) and Nashville guitarist William Tyler teamed up for ‘Darkness, Darkness’, a 10 minute exploratory track with Hebden’s trademark percussive arrangements and a psych jazziness, matched with Tyler’s picked guitar and a sample of Gloria Loring’s 1969 version of of The Youngbloods’ ‘Darkness, Darkness’.

3.

Kara Jackson

Dickhead Blues

‘Dickhead Blues’ from Chicago poet singer-songwriter Kara Jackson, encapsulates the appeal of her debut album Why Does the Earth Give Us People to Love?, a convention-fitting, structure-free, morphing track, with bells, chimes, guitar, jazz-drums, falling bass sounds, and memorable lyrics.

2.

Lana Del Rey

A&W

‘A&W’, is one of those Lana tracks that marks a flashpoint in her discography, a head-turning from the artist’s ninth album Did You Know That There’s A Tunnel Under Ocean Blvd.

A&W is a root beer brand, but the A&W really stands for ‘American Whore’. The track was co-written and co-produced by Jack Antonoff, and is split into two parts, ‘Part I: American Whore’ and ‘Part II: Jimmy’.

‘A&W’ begins in a standard Lana fashion but it soon becomes apparent that there’s anguish and hurt in her whispered lyrics that immediately address her mother with scorn (“I haven’t done a cartwheel since I was nine / I haven’t seen my mother in a long, long time”)

The song echoes the multi-faceted sounds of Lana’s past – of songs like 2015’s ‘High By The Beach’, the polychromatic songwriting of 2019’s Norman Fucking Rockwell, or the folk of 2021’s Chemtrails Over The Country Club.

Lana can do cinematic yes, but this feels widescreen in a self-contained capsule, a duelling duality of song.

It’s Lana in limbo, in a cheap hotel, seeking solace in an outline of a man, in between languishing watching TV – seeking forensic crime programmes but settling on misnaming a film where a 15-year-old girl gets into a relationship with her mother’s boyfriend, which references sexual exploitation.[Trigger warning] There are difficult lyrics about people’s perceptions of her, with reference to being a victim of a sexual crime and whether she was “asking for it” while alluding to the traumatic difficulty of recounting those experiences to others (” Didn’t testify, already fucked up my story / On top of this (Mm), so many other things you can’t believe / Did you know a singer can still be lookin’ like a side piece at thirty-three?”

The second half ‘Jimmy’ interpolates a 1959 R&B hitthat Tom Hanks recites in the film Big, after the song introduces a menacing bassline, and Lana sings of the titular man who is using her, and her way out of the temporary relief is to criticise in order to break the spell – “Your mom called, I told her you’re fucking up big time.”

Mothers are the spectral ghost of ‘A&W’ haunting this three-star resort limbo.

1.

Lankum

Lord Abore and Mary Flynn

False Lankum, the fourth album from the Dublin trad-folk band offered doomy gloomy folk informed by metal and darker music textures as heard on ‘Go Dig My Grave’, yes, but the greater surprise were the new shades included on the album, which was partly why it is my number 1 release of the year.

‘Lord Abore and Mary Flynn’ is a case in point, a beautiful rendition of an ancient murder ballad (also known as ‘Prince Robert), with Cormac MacDiarmada’s soft vocal (and Radie Peat’s supporting vocal) leading this gently-spun tale of a Romeo And Juliet-esque filicide. ‘Lord Abore and Mary Flynn’ is a love story spun with heart and a tragic softness.

The best albums of 2023

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Nialler9’s Top 100 songs of 2023

Listen also on Tidal, Youtube.

  1. Lankum – Lord Abore And Mary Flynn
  2. Lana Del Rey – A&W
  3. Kara Jackson – dickhead blues
  4. Kieran Hebden & William Tyler – Darkness, Darkness
  5. Tensnake, Jessy Lanza – Keep It Secret
  6. Rachael Lavelle – Big Dreams
  7. Caroline Polachek – Welcome to My Island
  8. Kwengface x Joy Orbison x Overmono – Freedom 2
  9. Noname – namesake
  10. CMAT – California
  11. Yves Tumor – Lovely Sewer
  12. Young Fathers – I Saw
  13. The Last Dinner Party – Nothing Else Matters
  14. Mustafa – Name Of God
  15. Lankum – Go Dig My Grave
  16. Big Thief – Vampire Empire
  17. Nabihah Ibqal – This World Couldn’t See Us
  18. Overmono – Good Lies
  19. Yaeji – For Granted
  20. Lil Yachty – Black Seminole
  21. Joanna Sternberg – People Are Toys To You
  22. Men I Trust – Ring of Past
  23. Young Marco – What You say?
  24. Rozi Plain – Agreeing For Two
  25. Kojaque – Johnny McEnroe
  26. Mitski – Bug Like An Angel
  27. Wiki, Mike, The Alchemist – Stargate
  28. boygenius – Satanist
  29. Unknown Mortal Orchestra – The Widow
  30. JPEGMAFIA & Danny Brown – Burfict!
  31. Jam City, Wet – LLTB
  32. Aphex Twin – Blackbox Life Recorder 21f
  33. Aluna – Running Blind (feat. Tchami & Kareen Lomax)
  34. Benefits – Warhorse
  35. Fever Ray – Kandy
  36. billy woods & Kenny Segal, Samuel Herring – Facetime
  37. Turnstile; BADBADNOTGOOD; Blood Orange – Alien Love Call
  38. Youth Lagoon – Idaho Alien
  39. Sofia Kourtesis – Vajkoczy
  40. Jessy Lanza – Don’t Leave Me Now
  41. Sufjan Stevens – A Running Start
  42. Bricknasty – ducks ina row
  43. Blawan – Toast
  44. Earl Sweatshirt, Alchemist – Heat Check
  45. Baby Keem and Kendrick Lamar – The Hillbillies
  46. DJ Seinfeld & Confidence Man – Now U Do
  47. Everything But The Girl – Nothing Left To Lose
  48. Five To Two, Jar Jar Jnr – Song 50,000
  49. Casisdead, Desire – Venom
  50. English Teacher – Nearly Daffodils
  51. Lean Sen – Dragonfly
  52. Faye Webster – But Not Kiss
  53. Django Django & Yuuko Sings – Don’t Touch it That Dial (Earthworks Acid Hip​-​House Remix)
  54. Danny Brown – Tantor
  55. Glasser – Vine
  56. Eyes Of Others – One, Twice, Thrice
  57. Floating Points – Birth4000
  58. Heartworms – May I Comply
  59. James Blake – Big Hammer
  60. Jessie Ware – Freak Me Now
  61. Kelela – Happy Ending
  62. Skrillex – Leave Me Like This
  63. Barry Can’t Swim – Sunsleeper
  64. OXN – Farmer In The City
  65. H31R – Down Down Bb
  66. Julio Bashmore – Bubblin’
  67. Ice Spice – Princess Diana
  68. John Francis Flynn – The Lag Song
  69. Julie Byrne – Summer Glass
  70. Roisin Murphy – CooCool
  71. Lil Yachty, J. Cole – The Secret Recipe
  72. Cartin – Smasha
  73. NUOVO TESTAMENTO – Heat
  74. Feist – Hiding Out In The Open
  75. Jorja Smith – Little Things (Nia Archives remix)
  76. FIZZ – Close One
  77. King Krule – Pink Shell
  78. Nailah Hunter – Finding Mirrors
  79. Sarah Crean – Wasted Youth
  80. Benny Sings – Young Hearts
  81. Kneecap – It’s Been Ages
  82. Octo Octa – Late Nite Love
  83. Peter Gabriel – Road to Joy (Dark-Side Mix)
  84. Quantic – Stand Up
  85. Pretty Girl – I Could (Open Up Mix)
  86. Future Islands – The Tower
  87. Gurriers – Sign Of The Times
  88. Mandy, Indiana – Drag [Crashed}
  89. Mac DeMarco – Proud True Toyota
  90. Water From Your Eyes – Out There
  91. Peggy Gou – (It Goes Like) Nanana
  92. Natalia Beylis – Afloat In Fog And Feathers
  93. Queens Of The Stone Age – Paper Machete
  94. L’Rain – New Year’s UnResolution
  95. Baby_ASL – Hostile City
  96. Two Shell – Love Him
  97. Lisa O’Neill – Old Note
  98. Squid – Undergrowth
  99. Sweeping Promises – You Shatter
  100. White Denim – Bounce Back


Every week, the Nialler9 Spotify Weekly Playlist is updated with new music.

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